Difference between revisions of "Contextual Music"
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| ex3=<mt p="ContextualMusic" g="Oblivion" h="140">Music depends on space and highly related to the kind of emotions those spaces have to offer. In this example the change in the [[Emotional Script]] is perceptible.</mt> | | ex3=<mt p="ContextualMusic" g="Oblivion" h="140">Music depends on space and highly related to the kind of emotions those spaces have to offer. In this example the change in the [[Emotional Script]] is perceptible.</mt> | ||
| ex1=<mt p="ContextualMusic" g="Flower" h="140">An exploration of [[Contextual Music]] in the [[Menus]], to unfold the [[Emotional Script]] along the experience. In the beginning of the game the [[Menus|Menu]] presents an [[Acoustic Ecology]] (predominantly [[Ambiance]]) allusive to a emotionally negative environment. As the game progresses, it becomes more positive and eventually it becomes highly rewarding, which also supports very effectively the inherent [[Narrative]].</mt> | | ex1=<mt p="ContextualMusic" g="Flower" h="140">An exploration of [[Contextual Music]] in the [[Menus]], to unfold the [[Emotional Script]] along the experience. In the beginning of the game the [[Menus|Menu]] presents an [[Acoustic Ecology]] (predominantly [[Ambiance]]) allusive to a emotionally negative environment. As the game progresses, it becomes more positive and eventually it becomes highly rewarding, which also supports very effectively the inherent [[Narrative]].</mt> | ||
| − | | ex2=<mt p="Music" g="LocoRoco" altg="Loco Roco" i="2" h="140">The contextuality of [[Music]] is impressive. It depends not only on the level but also on the selected type of Loco Roco (they are 6 and can be chosen in any level). Also, [[Music]] is adapted to the acoustics of the space (e.g., reverberation inside an ice cave). Even more interestingly, the more the Loco Roco the more the singing voices, which impacts considerably in the [[Emotional Script]]. The [[Variety]] provided by all this contextuality | + | | ex2=<mt p="Music" g="LocoRoco" altg="Loco Roco" i="2" h="140">The contextuality of [[Music]] is impressive. It depends not only on the level but also on the selected type of Loco Roco (they are 6 and can be chosen in any level). Also, [[Music]] is adapted to the acoustics of the space (e.g., reverberation inside an ice cave). Even more interestingly, the more the Loco Roco the more the singing voices, which impacts considerably in the [[Emotional Script]]. The [[Variety]] provided by all this contextuality benefits the experience.</mt> |
| ex4=<mt p="ContextualMusic" g="Ocarina Of Time" altg="Ocarina of Time" h="188">Music is dependent on the map region.</mt> | | ex4=<mt p="ContextualMusic" g="Ocarina Of Time" altg="Ocarina of Time" h="188">Music is dependent on the map region.</mt> | ||
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Revision as of 02:22, 19 August 2011
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| The card's front face | The card's back face |
Contents
Synopsis
| Music specific to particular contexts or levels. |
Relationships
Contexts:
Narrative 
, Emotional Script 
.
May relate to:
Diegetic Music 
.
Makes use of:
Music 
.
Description
Music is frequently used to characterise specific contexts. These contexts may be regions in the scenario, levels, categories of circumstances, etc.
A particular type of contextual variations on Music that we are addressing separately is the change according to the current of involvement in the game's conflict. Those explorations are integrated in the explorations of Relaxation, Anticipation, Engagement and Decay.
Contextual Music may come from the game world itself (Diegetic Music) although that is not the most frequent case.
Examples
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