Difference between revisions of "In-game Feedback"
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| ex5=<mt p="InGameFeedback" g="Patapon" w="{{R16by9W}}" h="{{R16by9H}}"></mt> | | ex5=<mt p="InGameFeedback" g="Patapon" w="{{R16by9W}}" h="{{R16by9H}}"></mt> | ||
| ex6=<mt p="InGameFeedback" g="Ocarina Of Time" altg="The Legend of Zelda:Ocarina of Time" w="{{R4by3W}}" h="{{R4by3H}}"></mt> | | ex6=<mt p="InGameFeedback" g="Ocarina Of Time" altg="The Legend of Zelda:Ocarina of Time" w="{{R4by3W}}" h="{{R4by3H}}"></mt> | ||
| + | | ex7=<mt p="InGameFeedback" g="End War" altg="Tom Clancy's EndWar" w="{{R16by9W}}" h="{{R16by9H}}">In-game reactions to voice commands ([Sound Input]), including the inability to understand an input.</mt> | ||
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Revision as of 18:01, 22 October 2011
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Contents
Synopsis
| In-game feedback on sound input performance. |
Relationships
Contexts:
Sound Input 
, Awareness 
, Emotional Script 
.
Less frequent context:
Play the Beat File:M385px-PlayTheBeat-front-v20.png.
Relates to:
Levelled Performance 
.
Description
Gameplay based on Sound Input or on any other form of auditory performance may introduce unfamiliar challenges to players. One interesting approach to deal with them is to provide in-game (diegetic) feedback and assistance.
In some examples this feedback promotes positive emotions, which: a) contributes to balance the distress of unachievement, b) favors cognition by maintaining the player in a positive mood, and c) provides an additional source of entertainment.
A complementary way to tackle complexity is to require Levelled Performance regarding sound performance, in the same manner as it is done with other gameplay aspects.
Examples
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