Difference between revisions of "Relaxation"
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The [[Aesthetics|Aesthetic]] qualities of the acoustic composition may also be relevant to [[Relaxation]]. Qualities which may be considered as pleasing are more prone to induce relaxation that those that may be perceived as unpleasing. Although it may be argued that an excessive appreciation for the composition per se may be counterproductive. To start with, because it could mean a increased level of arousal that would no longer be perceived as [[Relaxation]]; but also because such appreciation may divert the player from the immersion in the gameworld to an appreciation of the game product itself. | The [[Aesthetics|Aesthetic]] qualities of the acoustic composition may also be relevant to [[Relaxation]]. Qualities which may be considered as pleasing are more prone to induce relaxation that those that may be perceived as unpleasing. Although it may be argued that an excessive appreciation for the composition per se may be counterproductive. To start with, because it could mean a increased level of arousal that would no longer be perceived as [[Relaxation]]; but also because such appreciation may divert the player from the immersion in the gameworld to an appreciation of the game product itself. | ||
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Revision as of 15:24, 15 October 2011
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Synopsis
| A phase of gameplay promoting relaxation. |
Relationships
Context:
R-A-E-D Iterations 
, Gameplay File:M385px-Gameplay-front-v20.png, Emotional Script 
.
Peers:
Anticipation 
, Engagement 
, Decay 
.
Often uses:
Ambiance 
, Music 
, Entrainment 
.
Description
Relaxation is one typical phase of the Emotional Script during Gameplay. It is used both alone and integrated in an iterated sequence (R-A-E-D Iterations) that can also involve some or all of the phases of Anticipation, Engagement, and Decay.
Even when a game does not have Relaxation as its prevalent emotional goal, the phases of Relaxation are instrumental to build the emotional contrast that will emphasize the value of following phases of Anticipation or Engagement.
This is particularly relevant, considering that the player's experience is mostly dependent on the interpretation of the game's Emotional Script.
For historical reasons, Music is the most explored means to implement Relaxation. Yet other sound exploration, namely those that in turn resort to Entrainment techniques have been effectively used, too.
The Aesthetic qualities of the acoustic composition may also be relevant to Relaxation. Qualities which may be considered as pleasing are more prone to induce relaxation that those that may be perceived as unpleasing. Although it may be argued that an excessive appreciation for the composition per se may be counterproductive. To start with, because it could mean a increased level of arousal that would no longer be perceived as Relaxation; but also because such appreciation may divert the player from the immersion in the gameworld to an appreciation of the game product itself.
Examples
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Additional Comments
Sound has been historically explored as a tool to induce and sustain Relaxation. At a fundamental level the idea is to create a resonance between the sitmuli and the listener's inner psychophysiological systems through some Entrainment process, in a state that matches the intended emotion state. In the field of Music this is being done a documented for ages. Cinema also has adopted and adapted the use of Music to lead the listener to a certain state of mind. In turn the game industry as adopted techniques both from film practice and Music, despite the particularities of the media which call for specific approaches to Music.
