Difference between revisions of "Awareness"
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|ex4=<mt altg="Assassin's Creed" g="AssassinsCreed" p="Awareness"></mt> | |ex4=<mt altg="Assassin's Creed" g="AssassinsCreed" p="Awareness"></mt> | ||
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| examples= | | examples= | ||
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| ex1=<mt p="Awareness" g="Assassins Creed" altg="Assassin's Creed">A pulsing sound tells that there are attentive guards nearby. Blending with the crowd, as when sitting in a bench, diverts their attention (and consequently the sound mutes).</mt> | | ex1=<mt p="Awareness" g="Assassins Creed" altg="Assassin's Creed">A pulsing sound tells that there are attentive guards nearby. Blending with the crowd, as when sitting in a bench, diverts their attention (and consequently the sound mutes).</mt> | ||
| ex2=<mt p="Awareness" g="Tomb Raider Underworld" h="140">Checkpoints are (exclusively) signaled through sound.</mt> | | ex2=<mt p="Awareness" g="Tomb Raider Underworld" h="140">Checkpoints are (exclusively) signaled through sound.</mt> | ||
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| ex5=<mt p="Awareness" g="HL2" altg="Half-Life 2" h="188"></mt> | | ex5=<mt p="Awareness" g="HL2" altg="Half-Life 2" h="188"></mt> | ||
| ex6=<mt p="Awareness" g="Papa Sangre" h="140"></mt> | | ex6=<mt p="Awareness" g="Papa Sangre" h="140"></mt> | ||
− | | ex7=<mt p="Awareness" g="LocoRoco" altg="Loco Roco" h="140">When a Moja is nearby, the playing Loco Roco vocalizes a scared warning, which besides being informative is highly emotional.The Loco Roco can see the Moja before the player does, so this acoustic message gives additional advantage over graphics.</mt> | + | | ex7=<mt p="Awareness" g="LocoRoco" altg="Loco Roco" h="140">When a Moja is nearby, the playing Loco Roco vocalizes a scared warning, which besides being informative is highly emotional.The Loco Roco can see the Moja before the player does, so this acoustic message gives another additional advantage over graphics.</mt> |
| ex8=<mt p="Awareness" g="Ico" h="188"></mt> | | ex8=<mt p="Awareness" g="Ico" h="188"></mt> | ||
+ | |ex9=<mt g="Shadow of the Colossus" p="Hurry Up!">A sound warns when Wander ought to find a resting stance, otherwise he will lose grip and fall, most likely to death.</mt> | ||
+ | | external= | ||
+ | References to the role of sound as a display | ||
}} | }} |
Revision as of 21:12, 16 August 2011
The card's front face | The card's back face |
Synopsis
Sound promoting awareness for some gameplay aspect. |
Relationships
Context:
Gameplay File:M385px-Gameplay-front-v20.png.
Relates to:
Emotional Script , Narrative .
May use many, including:
Character Soundprint , Failure , Achievement , No Can Do , Hurry Up! , Window of Opportunity , Beacon Locator , Identification , Ouch! , Imminent Death , Seeking for PC , Unaware NPC , ....
Description
Sounds of Awareness expose aspects of a circumstance that demand some degree of attention, relevant to Gameplay. These stimuli may either evidence a problem, inform about a state, emphasize an opportunity, or reinforce a positive happening.
Many of the sound explorations in a game could be classified as Awareness. Still, some of the explorations approach very specific problems for which also specific solutions have been found. Those include Failure, Achievement, No Can Do, Hurry Up!, Window of Opportunity, Beacon Locator, Ouch!, Imminent Death, Seeking for PC, Unaware NPC. Even PC's and NPC's Character Soundprint serves the purpose of informing about the character's closeness, Identification, health state, etc.
To a certain extent, sounds of Awareness are mostly unidirectional -- that is, they output something. Yet, if these sounds are designed in a way that they effectively produce changes in the player, namely in terms of the Emotional Script, they may be instrumental to shape the players input.
Examples
External Resources
References to the role of sound as a display