Difference between revisions of "Sound Decoys"
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A customary component of the gameplay is to deal with enemies along the game space. In some situations it is convenient to divert enemies’ attention and possibly to influence them to change their positions, either to be able to deal with one at time or to avoid confrontation at all. | A customary component of the gameplay is to deal with enemies along the game space. In some situations it is convenient to divert enemies’ attention and possibly to influence them to change their positions, either to be able to deal with one at time or to avoid confrontation at all. | ||
− | Diverse forms of [[Sound Decoys]] can be included in the | + | Diverse forms of [[Sound Decoys]] can be included in the gameplay. Sound is particularly suitable for integrating meaningful decoy actions since it allows launching the decoy whilst avoiding visual contact. Spaces with reduced visibility also bring advantages both for the plausibility and of the usefulness of the decoy. |
| examples= | | examples= | ||
| ex1=<mt p="SoundDecoys" g="MGS4" altg="Metal Gear Solid 4" i=2 w="{{R16by9W}}" h="{{R16by9H}}">Snake lures an enemy out of his place by throwing and empty magazine into a more convenient location. Knocking on objects is an alternative to attract a NPC, but it requires that the NPC is close enough and the attention is directed towards PC's position.</mt> | | ex1=<mt p="SoundDecoys" g="MGS4" altg="Metal Gear Solid 4" i=2 w="{{R16by9W}}" h="{{R16by9H}}">Snake lures an enemy out of his place by throwing and empty magazine into a more convenient location. Knocking on objects is an alternative to attract a NPC, but it requires that the NPC is close enough and the attention is directed towards PC's position.</mt> |
Revision as of 22:57, 28 November 2011
The card's front face | The card's back face |
Synopsis
Using sound to fool the opponents. |
Relationships
Context:
Stealth , Consequent Sound , Make Sound not War , Emotional Script .
Relates to:
Unaware NPC , Suspicious NPC , Seeking for PC , Sonic Weapon .
Often uses:
Foley , Sound Effects .
Description
A customary component of the gameplay is to deal with enemies along the game space. In some situations it is convenient to divert enemies’ attention and possibly to influence them to change their positions, either to be able to deal with one at time or to avoid confrontation at all.
Diverse forms of Sound Decoys can be included in the gameplay. Sound is particularly suitable for integrating meaningful decoy actions since it allows launching the decoy whilst avoiding visual contact. Spaces with reduced visibility also bring advantages both for the plausibility and of the usefulness of the decoy.
Examples
External Resources
References to Tom Clancy's Splinter Cell 'Distraction Camera': IGN Guides
First presentation of pattern Sound Decoys in (Alves & Roque, 2010)