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=Sound Design in Games= | =Sound Design in Games= | ||
| + | [[File:Scatteredcards1350x852.png|thumb|360px|The [[Deck|deck of cards]] (since version v1.0)]] | ||
| + | <!--[[File:Deck-A.png|thumb|250px|The deck of cards (since version v1.0)]][[File:Card-anatomy-v10.png| 250px|thumb | The anatomy of card (here illustrated over the card named [[Achievement]]), (as of v1.0)]]--> | ||
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| + | ====An approach based in [[Design Patterns]] and assisted by a [[Deck|Deck of Cards]]==== | ||
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| + | ====An approach based on [[Design Patterns]] and assisted by a [[Deck|Deck of Cards]]==== | ||
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| + | | style="padding: 8px 8px; margin:0px;border: thin solid #DDD; background-color: #F9F9F9; color: black;"|An approach to Sound Design in Games based on [[Design Patterns | Design Patterns]] and assisted by a [[Deck | Deck of Cards]], strongly influenced by [[Acoustic Ecology | Acoustic Ecology]] and subject to the principle that Sound Design in Games benefits from being embedded in the overall Game Design. | ||
| + | |} | ||
| + | [[Deck | Version 2.0 of the deck]] consists of 77 cards, each representing an homonymous design pattern from the collection:<br /> | ||
| − | + | '''List'''<br> | |
| − | + | {{List of Cards (version 2.0)}}<br /> | |
| − | < | + | '''Thumbnails''' <toggledisplay status=show showtext="[show...]" hidetext="[hide]"><br> |
| − | + | {{DumpDeckThumbnailsWithBorders}} | |
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| − | + | == Empowering small game developers to perform sound design == | |
| − | + | Expertise in [[sound design for games]] is mainly a privilege of senior designers. The broad community of [[independent game developers]] remains mostly challenged by small budgets and scarce know how, while trying to integrate sound in their games. The [[empowerment of a broader community]] of developers could unleash a massive creative potential, with results in the form of innovative sound design ideas and further development of the body of knowledge. | |
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| − | + | A [[Design Patterns|pattern language]] has the potential to contribute to such an emancipatory movement as it has proven to be a format addressable by experts and non-experts alike. Patterns are collectively authored through the inventory, translation and re-synthesis of current practice and know-how. This methodology has been successfully adopted in [[Design Patterns | other domains]] where similar concerns were observed, including in game design and auditory displays. | |
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| − | A pattern language | + | |
== Patterns and Cards == | == Patterns and Cards == | ||
| − | We are proposing a debuting collection of patterns for sound design in games. The patterns were harvested and synthesized under the influence of a set of guidelines | + | We are proposing a debuting collection of patterns for sound design in games. The patterns were harvested and synthesized under the influence of a set of guidelines, which in turn build upon an interdisciplinary interpretation for sound design. This is also in harmony with an holistic perspective on game design which implies, for instance, that sound design in games is in fact integral to game design. Game design sensitive to sound design opportunities has several benefits: the space of possibilities is enlarged, sound becomes fitted rather then superimposed, and the game product may provide a richer experience with this integration. |
| − | + | ||
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| − | + | While [[About| refining and growing the pattern collection]], we found the interest in conceiving instruments that could be effective in expediting and sustaining the interfacing between the practitioners and the pattern language, beyond the customary referential support in text forms. This [[Deck|deck]] of physical cards aims at such purposes. Practitioners may appreciate a presentation of potential sound explorations in a format that is literally handy, with no need to be familiar with the formalism of design patterns. | |
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Latest revision as of 17:37, 4 October 2014
Sound Design in Games
An approach based on Design Patterns and assisted by a Deck of Cards
| An approach to Sound Design in Games based on Design Patterns and assisted by a Deck of Cards, strongly influenced by Acoustic Ecology and subject to the principle that Sound Design in Games benefits from being embedded in the overall Game Design. |
Version 2.0 of the deck consists of 77 cards, each representing an homonymous design pattern from the collection:
List
Achievement 
, Acoustic Ecology 
, Address Others 
, Aesthetics 
, Affected Hearing 
, Ambiance 
, Anticipation 
, Awareness 
, Beacon Locator 
, Breath 
, Character Soundprint 
, Chitchat 
, Consequent Sound 
, Contextual Music 
, Cutscenes 
, Death 
, Decay 
, Dialogue 
, Diegetic Music 
, Directionality 
, Dubbing 
, Eavesdropping 
, Echolocation 
, Emotional Script 
, Engagement 
, Entrainment 
, Failure 
, Foley 
, Foley Music 
, Footsteps 
, Grunts 
, Heartbeat 
, Helper Voice 
, Hurry Up! 
, Identification 
, Imminent Death 
, In-game Feedback 
, Levelled Performance 
, Make Sound not War 
, Menus 
, Music 
, Musical Outcome 
, Narrative 
, Narrator 
, No Can Do 
, Noise 
, Ouch! 
, Pitch Gameplay 
, R-A-E-D Iterations 
, Radio 
, Recordings 
, Relaxation 
, Revelation 
, Rhythm Gameplay 
, Say that Again 
, Seeking for PC 
, Shout and Yell 
, Signature 
, Silence 
, Sing to Act 
, Sonic Weapon 
, Sound Decoys 
, Sound Design in Games 
, Sound Effects 
, Sound Input 
, Sound Suppressing 
, Sound Visualization 
, Stealth 
, Subtitles and Captions 
, Suspicious NPC 
, Thoughts 
, Time Twist 
, Title Screens 
, Trance 
, Unaware NPC 
, Variety 
, Voice Acting 
, Window of Opportunity 
.
Empowering small game developers to perform sound design
Expertise in sound design for games is mainly a privilege of senior designers. The broad community of independent game developers remains mostly challenged by small budgets and scarce know how, while trying to integrate sound in their games. The empowerment of a broader community of developers could unleash a massive creative potential, with results in the form of innovative sound design ideas and further development of the body of knowledge.
A pattern language has the potential to contribute to such an emancipatory movement as it has proven to be a format addressable by experts and non-experts alike. Patterns are collectively authored through the inventory, translation and re-synthesis of current practice and know-how. This methodology has been successfully adopted in other domains where similar concerns were observed, including in game design and auditory displays.
Patterns and Cards
We are proposing a debuting collection of patterns for sound design in games. The patterns were harvested and synthesized under the influence of a set of guidelines, which in turn build upon an interdisciplinary interpretation for sound design. This is also in harmony with an holistic perspective on game design which implies, for instance, that sound design in games is in fact integral to game design. Game design sensitive to sound design opportunities has several benefits: the space of possibilities is enlarged, sound becomes fitted rather then superimposed, and the game product may provide a richer experience with this integration.
While refining and growing the pattern collection, we found the interest in conceiving instruments that could be effective in expediting and sustaining the interfacing between the practitioners and the pattern language, beyond the customary referential support in text forms. This deck of physical cards aims at such purposes. Practitioners may appreciate a presentation of potential sound explorations in a format that is literally handy, with no need to be familiar with the formalism of design patterns.
