Difference between revisions of "Make Sound not War"
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In a moment when so many games tend towards belligerent narratives, it is relevant to think of audio as a creativity opportunity, also to come up with ideas that offer alternatives to those types of conflict. | In a moment when so many games tend towards belligerent narratives, it is relevant to think of audio as a creativity opportunity, also to come up with ideas that offer alternatives to those types of conflict. | ||
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* ancient rituals of confrontation through vocalizations | * ancient rituals of confrontation through vocalizations | ||
** Baraka 12:29 (chapter 4) | ** Baraka 12:29 (chapter 4) | ||
| + | | examples= | ||
| ex1=<mt p="Music" g="LocoRoco" altg="Loco Roco" i="2" h="140">Loco Roco offers a rich and delightful experience with no conflict other than avoiding to be bitten by the Moja</mt> | | ex1=<mt p="Music" g="LocoRoco" altg="Loco Roco" i="2" h="140">Loco Roco offers a rich and delightful experience with no conflict other than avoiding to be bitten by the Moja</mt> | ||
| ex2=<mt p="MakeSoundNotWar" g="Mini Ninjas" h="200"></mt> | | ex2=<mt p="MakeSoundNotWar" g="Mini Ninjas" h="200"></mt> | ||
Revision as of 18:53, 19 September 2011
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| The card's front face | The card's back face |
Contents
[hide]Synopsis
| Sound supporting creative alternatives to conflict. |
Relationships
Context:
Consequent Sound 
, Engagement 
, Emotional Script 
.
Includes:
Sing to Act 
, Play the Beat File:M385px-PlayTheBeat-front-v20.png, Sound Decoys 
, Echolocation 
, Address Others 
.
Contrasts with:
Sonic Weapon 
.
May imply:
Sound Input 
.
Description
In a moment when so many games tend towards belligerent narratives, it is relevant to think of audio as a creativity opportunity, also to come up with ideas that offer alternatives to those types of conflict.
Examples
    |
 |
 |
 |
Additional Comments
- Nature provides many insightful examples of the use of sound to address conflicts, instead of actual physical confrontation, namely through the evaluation of the other party’s potential. The ability to perform sound – loud, long, accurate, ... – is many times an indicator of potential – health, size, maturity, ... Examples include: passerine birds singing to dispute territory, dogs barking, etc.
- [pending: references to some interesting resources in this matter. e.g.: David Attenborough "the winner is the one who sings the longest" (something like that)].
External Resources
- ancient rituals of confrontation through vocalizations
- Baraka 12:29 (chapter 4)
