Difference between revisions of "Make Sound not War"
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In a moment when so many games tend towards belligerent narratives, it is relevant to think of audio as a creativity opportunity, also to come up with ideas that offer alternatives to those types of conflict. | In a moment when so many games tend towards belligerent narratives, it is relevant to think of audio as a creativity opportunity, also to come up with ideas that offer alternatives to those types of conflict. | ||
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| + | Nature provides many insightful examples of the use of sound to solve conflicts, instead of actual physical confrontation, e.g. passarine birds singing to dispute territory, dogs barking, etc. | ||
| + | [pending: references to some interesting resources in this matter. e.g.: David Attenborough "the winner is the one who sings the longest" (something like that)]. | ||
| ex1=<mt p="Music" g="LocoRoco" altg="Loco Roco" i="2" h="140">Loco Roco offers a rich and delightful experience with no conflict other than avoiding to be bitten by the Moja</mt> | | ex1=<mt p="Music" g="LocoRoco" altg="Loco Roco" i="2" h="140">Loco Roco offers a rich and delightful experience with no conflict other than avoiding to be bitten by the Moja</mt> | ||
Revision as of 18:51, 21 August 2011
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| The card's front face | The card's back face |
Contents
[hide]Synopsis
| Sound supporting creative alternatives to conflict. |
Relationships
Context:
Consequent Sound 
, Engagement 
, Emotional Script 
.
Includes:
Sing to Act 
, Play the Beat File:M385px-PlayTheBeat-front-v20.png, Sound Decoys 
, Echolocation 
, Address Others 
.
Contrasts with:
Sonic Weapon 
.
May imply:
Sound Input 
.
Description
In a moment when so many games tend towards belligerent narratives, it is relevant to think of audio as a creativity opportunity, also to come up with ideas that offer alternatives to those types of conflict.
Examples
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