From SoundInGames.com - Sound Design in Games
|
|
| Line 41: |
Line 41: |
| | <br> | | <br> |
| | }}--> | | }}--> |
| − | {{#ifeq:{{{examples}}}|hidethisfield||===Examples==={{{examples|}}}<br>}}
| + | ===Examples=== |
| | + | {{{examples|}}}<br> |
| | ===Relationships=== | | ===Relationships=== |
| | <i>{{{rel-tag1|}}}</i> | | <i>{{{rel-tag1|}}}</i> |
Revision as of 23:34, 11 August 2011
|
|
|
|---|
|
|
| The card's front face |
The card's back face
|
Card
Synopsis
Synopsis description goes here
Description
Examples
Relationships
Revisions
External references
Tomb Raider Underworld: In Tomb Raider Underworld, the signaling of checkpoints is done exclusively through sound (a Sound Effect)
|
Crysis: In Crysis, the warning of critical energy, that for instance voids the invisibility feature of the PC's suit, is communicated by the equipment through a voice message Dialogue |
Assassin's Creed: In Assassin's Creed, the identification of nearby guards is signaled by a pulsing Sound Effect |
Tomb Raider Underworld: In Tomb Raider Underworld, the signaling of checkpoints is done exclusively through sound (a Sound Effect)
|
Crysis: In Crysis, the warning of critical energy, that for instance voids the invisibility feature of the PC's suit, is communicated by the equipment through a voice message Dialogue |
Assassin's Creed: In Assassin's Creed, the identification of nearby guards is signaled by a pulsing Sound Effect |
Discussion
{{Talk:{{{name}}} }}
