Difference between revisions of "Awareness"
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{{Card | {{Card | ||
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Sounds of [[Awareness]] expose aspects of a circumstance that demand some degree of attention, relevant to [[Gameplay]]. These stimuli may either evidence a problem, inform about a state, emphasize an opportunity, or reinforce a positive happening. | Sounds of [[Awareness]] expose aspects of a circumstance that demand some degree of attention, relevant to [[Gameplay]]. These stimuli may either evidence a problem, inform about a state, emphasize an opportunity, or reinforce a positive happening. | ||
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References to the role of sound as a display | References to the role of sound as a display | ||
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Revision as of 23:27, 11 August 2011
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| The card's front face | The card's back face |
Contents
Synopsis
| Sound promoting awareness for some gameplay aspect. |
Relationships
Context:
Gameplay File:M385px-Gameplay-front-v20.png.
Relates to:
Emotional Script 
, Narrative 
.
May use many, including:
Character Soundprint 
, Failure 
, Achievement 
, No Can Do 
, Hurry Up! 
, Window of Opportunity 
, Beacon Locator 
, Identification 
, Ouch! 
, Imminent Death 
, Seeking for PC 
, Unaware NPC 
, ....
Description
Sounds of Awareness expose aspects of a circumstance that demand some degree of attention, relevant to Gameplay. These stimuli may either evidence a problem, inform about a state, emphasize an opportunity, or reinforce a positive happening.
Many of the sound explorations in a game could be classified as Awareness. Still, some of the explorations approach very specific problems for which also specific solutions have been found. Those include Failure, Achievement, No Can Do, Hurry Up!, Window of Opportunity, Beacon Locator, Ouch!, Imminent Death, Seeking for PC, Unaware NPC. Even PC's and NPC's Character Soundprint serves the purpose of informing about the character's closeness, Identification, health state, etc.
To a certain extent, sounds of Awareness are mostly unidirectional -- that is, they output something. Yet, if these sounds are designed in a way that they effectively produce changes in the player, namely in terms of the Emotional Script, they may be instrumental to shape the players input.
In Tomb Raider Underworld, the signaling of checkpoints is done exclusively through sound (a Sound Effect). In Crysis, the warning of critical energy, that for instance voids the invisibility feature of the PC's suit, is communicated by the equipment through a voice message Dialogue. In Assassin's Creed, the identification of nearby guards is signaled by a pulsing Sound Effect.
Examples
