Difference between revisions of "Levelled Performance"
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| name =Levelled Performance | | name =Levelled Performance | ||
| deckversion =1.0 | | deckversion =1.0 | ||
| − | | | + | | v10synopsis =The progressive sophistication of gameplay performative actions |
| + | | v20synopsis =The progressive sophistication of sound related performative actions | ||
| patternpresentation = | | patternpresentation = | ||
| cardpresentation= | | cardpresentation= | ||
| − | | | + | | v10frontface =LevelledPerformance-front-v10.png |
| − | | | + | | v10backface =LevelledPerformance-back-v10.png |
| + | | v20frontface =LevelledPerformance-front-v20.png | ||
| + | | v20backface =LevelledPerformance-back-v20.png | ||
| screenshots= | | screenshots= | ||
| − | | | + | | v10rel-tag1=Context:<br> |
| − | | | + | | v10rel1=[[Sound Input]], [[Narrative]]<br> |
| − | | | + | | v10rel-tag2=Less frequent context:<br> |
| − | | | + | | v10rel2=[[Play the Beat]]<br> |
| − | | | + | | v10rel-tag3=Relates to:<br> |
| − | | | + | | v10rel3=[[In-game Feedback]]<br> |
| + | | v20rel-tag1=Context:<br> | ||
| + | | v20rel1=[[Sound Input]], [[Rhythm Gameplay]], [[Pitch Gameplay]], [[Narrative]]<br> | ||
| + | | v20rel-tag2=Relates to:<br> | ||
| + | | v20rel2=[[In-game Feedback]]<br> | ||
| revisions =Introduced in version 1.0 | | revisions =Introduced in version 1.0 | ||
| + | | description = | ||
| + | Developing the PC's abilities step-by-step is a common practice in games. It allows the adaptation to a complex set of rules and/or controls, in a methodical way. In that sense this pattern does not add novelty to the "general approach". Still, sound designers have to ponder the need for such levelling, and eventually to design it considering the specificities of the sound explorations that they propose. | ||
| + | |||
| + | [[Levelled Performance]] can also serve the goal of managing the players' interest in the game by extending the delivery of novelty along the experience. Again, this is not particular to sound design, but it is something sound designers may ''also'' wish/need to consider. | ||
| + | |||
| examples= | | examples= | ||
| − | | ex1=<mt p="LevelledPerformance" g=" | + | | ex1=<mt p="LevelledPerformance" g="Aquaria" h="200">Songs that allow specific abilities are learnt one at a time along the game.</mt> |
| − | | ex2=<mt p="LevelledPerformance" g=" | + | | ex2=<mt p="LevelledPerformance" g="Patapon" w="{{R16by9W}}" h="{{R16by9H}}">Songs and, later, Miracles that trigger specific effects, are progressively made available along the game.</mt> |
| − | | ex3=<mt p="LevelledPerformance" g=" | + | | ex3=<mt p="LevelledPerformance" g="Guitar Hero" altg="Guitar Hero World Tour" w="{{R16by9W}}" h="{{R16by9H}}">Being able to select difficulty levels (here "easy", "medium", "hard", "expert") is a solution that extends to sound-related aspects of performance.</mt> |
| − | | ex4=<mt p="LevelledPerformance" g="Ocarina Of Time" altg="Ocarina of Time" h=" | + | | ex4=<mt p="LevelledPerformance" g="Ocarina Of Time" altg="The Legend of Zelda: Ocarina of Time" w="{{R4by3W}}" h="{{R4by3H}}">Songs are learnt one at a time along the game, as set by the [[Narrative]].</mt> |
}} | }} | ||
Latest revision as of 19:23, 24 August 2012
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| The card's front face | The card's back face |
Contents
[hide]Synopsis
| The progressive sophistication of sound related performative actions. |
Relationships
Context:
Sound Input 
, Rhythm Gameplay 
, Pitch Gameplay 
, Narrative 
.
Relates to:
In-game Feedback 
.
Description
Developing the PC's abilities step-by-step is a common practice in games. It allows the adaptation to a complex set of rules and/or controls, in a methodical way. In that sense this pattern does not add novelty to the "general approach". Still, sound designers have to ponder the need for such levelling, and eventually to design it considering the specificities of the sound explorations that they propose.
Levelled Performance can also serve the goal of managing the players' interest in the game by extending the delivery of novelty along the experience. Again, this is not particular to sound design, but it is something sound designers may also wish/need to consider.
Examples
    |
 |
 |
 |
