Difference between revisions of "Levelled Performance"
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| − | Developing the PC's abilities step-by-step is a common practice in games. It allows the adaptation to a complex set of rules and/or controls, in a methodical way. In that sense this pattern does not add novelty to the "general approach". Still, sound designers have to ponder the need for such levelling, and eventually to design it considering the specificities of the sound explorations they | + | Developing the PC's abilities step-by-step is a common practice in games. It allows the adaptation to a complex set of rules and/or controls, in a methodical way. In that sense this pattern does not add novelty to the "general approach". Still, sound designers have to ponder the need for such levelling, and eventually to design it considering the specificities of the sound explorations that they propose. |
[[Levelled Performance]] can also serve the goal of managing the players' interest in the game by extending the delivery of novelty along the experience. Again, this is not particular to sound design, but it is something sound designers may ''also'' wish/need to consider. | [[Levelled Performance]] can also serve the goal of managing the players' interest in the game by extending the delivery of novelty along the experience. Again, this is not particular to sound design, but it is something sound designers may ''also'' wish/need to consider. | ||
Latest revision as of 19:23, 24 August 2012
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| The card's front face | The card's back face |
Contents
Synopsis
| The progressive sophistication of sound related performative actions. |
Relationships
Context:
Sound Input 
, Rhythm Gameplay 
, Pitch Gameplay 
, Narrative 
.
Relates to:
In-game Feedback 
.
Description
Developing the PC's abilities step-by-step is a common practice in games. It allows the adaptation to a complex set of rules and/or controls, in a methodical way. In that sense this pattern does not add novelty to the "general approach". Still, sound designers have to ponder the need for such levelling, and eventually to design it considering the specificities of the sound explorations that they propose.
Levelled Performance can also serve the goal of managing the players' interest in the game by extending the delivery of novelty along the experience. Again, this is not particular to sound design, but it is something sound designers may also wish/need to consider.
Examples
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