Variety - Revision history

ValterAlves at 16:43, 26 August 2012

2012-08-26T16:43:17Z

ValterAlves at 16:03, 26 August 2012

2012-08-26T16:03:11Z

ValterAlves at 23:36, 24 August 2012

2012-08-24T23:36:21Z

ValterAlves at 23:35, 24 August 2012

2012-08-24T23:35:54Z

ValterAlves at 20:31, 24 August 2012

2012-08-24T20:31:20Z

ValterAlves at 16:31, 19 July 2012

2012-07-19T16:31:53Z

ValterAlves at 02:45, 25 May 2012

2012-05-25T02:45:19Z

ValterAlves at 01:15, 25 May 2012

2012-05-25T01:15:24Z

ValterAlves at 21:21, 24 May 2012

2012-05-24T21:21:29Z

ValterAlves at 01:07, 23 May 2012

2012-05-23T01:07:54Z

@@ Line 35: / Line 35: @@
 | ex1=<mt p="Variety" g="Assassins Creed" altg="Assassin's Creed" w="{{R16by9W}}" h="{{R16by9H}}"></mt>
 | ex2=<mt p="Variety" g="Bioshock" altg="BioShock" w="{{R16by9W}}" h="{{R16by9H}}"></mt>
-| ex3=<mt p="Variety" g="Uncharted" w="{{R16by9W}}" h="{{R16by9H}}"></mt>
+| ex3=<mt p="Variety" g="Uncharted" altg="Uncharted: Drake's Fortune" w="{{R16by9W}}" h="{{R16by9H}}"></mt>
 | ex4=<mt p="Variety" g="Red Dead Redemption" w="{{R16by9W}}" h="{{R16by9H}}"></mt>
 | ex5=<mt p="Variety" g="Chaos Theory" altg="Tom Clancy's Splinter Cell Chaos Theory" h="{{R5by4H}}" w="{{R5by4W}}"></mt>

@@ Line 22: / Line 22: @@
 Characters, objects and actions are associated to varied sound, including in [[Dialogue]] and [[Foley]], for enhanced experience.
-The lack of variety in the sounds associated to characters, objects and actions can compromise the experience. The pertinence of variety extends to several features. In the case of [[Dialogue]], variety applies to the text being said and to intonation. If phrases are shared among several characters, variation also applies to voice pitch. If a same character sequentially repeats one particular phrase, variation applies to the time elapsed between iterations, too. In the case of [[Foley]], if sound relates to physical reaction to contact, variability may be implied by the possibility of different nature and magnitude of the contact.
+The lack of [[Variety]] in the sounds associated to characters, objects and actions can compromise the experience. The pertinence of variety extends to several features. In the case of [[Dialogue]], [[Variety]] applies to the text being said and to intonation. If phrases are shared among several characters, variation also applies to voice pitch. If a same character sequentially repeats one particular phrase, variation applies to the time elapsed between iterations, too. In the case of [[Foley]], if sound relates to physical reaction to contact, variability may be implied by the possibility of different nature and magnitude of the contact.
-Some prejudices may result from a player’s perception of the lack of variety. One is that it impairs a possible naturalist approach to immersion. Another is fatigue.
+Some prejudices may result from a player’s perception of the lack of [[Variety]]. One is that it impairs a possible naturalist approach to immersion. Another is fatigue.
 Several factors may influence the perception of the lack of variety, including: the duration of the experience; the time elapsed between successive expositions to a same sound; and, the plausibility of the repetition<ref name="Loughlin2010"/>. The plausibility of a repetition tends to be smaller for complex or improbable sound.
 |additional=

@@ Line 46: / Line 46: @@
 | showrefs=1
 | RevisionsInNameOrDeprecation=
-Introduced as [[Requisite Variety#v1.0]] (in version 1.0)
+Introduced as [[Requisite Variety]] (in version 1.0)
 }}

← Older revision		Revision as of 23:35, 24 August 2012
Line 45:		Line 45:

	\| showrefs=1		\| showrefs=1
		+	\| RevisionsInNameOrDeprecation=
		+	Introduced as [[Requisite Variety#v1.0]] (in version 1.0)
	}}		}}

@@ Line 34: / Line 34: @@
 | examples=
 | ex1=<mt p="Variety" g="Assassins Creed" altg="Assassin's Creed" w="{{R16by9W}}" h="{{R16by9H}}"></mt>
-| ex2=<mt p="Variety" g="Bioshock" w="{{R16by9W}}" h="{{R16by9H}}"></mt>
+| ex2=<mt p="Variety" g="Bioshock" altg="BioShock" w="{{R16by9W}}" h="{{R16by9H}}"></mt>
 | ex3=<mt p="Variety" g="Uncharted" w="{{R16by9W}}" h="{{R16by9H}}"></mt>
 | ex4=<mt p="Variety" g="Red Dead Redemption" w="{{R16by9W}}" h="{{R16by9H}}"></mt>

@@ Line 37: / Line 37: @@
 | ex3=<mt p="Variety" g="Uncharted" w="{{R16by9W}}" h="{{R16by9H}}"></mt>
 | ex4=<mt p="Variety" g="Red Dead Redemption" w="{{R16by9W}}" h="{{R16by9H}}"></mt>
-| ex5=<mt p="Variety" g="Chaos Theory" altg="Tom Clancy's Splinter Cell: Chaos Theory" h="{{R5by4H}}" w="{{R5by4W}}"></mt>
+| ex5=<mt p="Variety" g="Chaos Theory" altg="Tom Clancy's Splinter Cell Chaos Theory" h="{{R5by4H}}" w="{{R5by4W}}"></mt>
 | ex6=<mt p="Variety" g="Half Life 2" altg="Half-Life 2" w="{{R8by5W}}" h="{{R8by5H}}"></mt>
 | ex7=<mt p="Variety" g="Ice Age 3" w="{{ViPhoneH}}" h="{{ViPhoneW}}"></mt>

@@ Line 20: / Line 20: @@
 Version 2.0: renamed
 | description =
-Characters, objects and actions are associated varied sound, including in [[Dialogue]] and [[Foley]], for enhanced experience.
+Characters, objects and actions are associated to varied sound, including in [[Dialogue]] and [[Foley]], for enhanced experience.
 The lack of variety in the sounds associated to characters, objects and actions can compromise the experience. The pertinence of variety extends to several features. In the case of [[Dialogue]], variety applies to the text being said and to intonation. If phrases are shared among several characters, variation also applies to voice pitch. If a same character sequentially repeats one particular phrase, variation applies to the time elapsed between iterations, too. In the case of [[Foley]], if sound relates to physical reaction to contact, variability may be implied by the possibility of different nature and magnitude of the contact.

@@ Line 31: / Line 31: @@
 [http://pespmc1.vub.ac.be/VARIETY.html Variety (Principia Cybernetica)]<br />
 Principles of Systems and Cybernetics: an evolutionary perspective<ref name="Heylighen" /><br />
-A '[http://designingsound.org/2010/04/chuck-russom-special-gun-recording-guide/  Gun Recording Guide]' where the need for variety is emphasized.  <br />
+A "[http://designingsound.org/2010/04/chuck-russom-special-gun-recording-guide/  Gun Recording Guide]" where the need for variety is emphasized.  <br />
 | examples=
 | ex1=<mt p="Variety" g="Assassins Creed" altg="Assassin's Creed" w="{{R16by9W}}" h="{{R16by9H}}"></mt>