Sound Visualization - Revision history

ValterAlves at 14:43, 19 July 2012

2012-07-19T14:43:18Z

2012-05-25T02:41:44Z

2012-05-25T00:51:09Z

2012-05-24T23:12:44Z

2012-05-24T22:48:48Z

2012-05-24T22:28:47Z

2012-01-10T00:23:20Z

2012-01-03T22:10:34Z

2012-01-03T21:59:11Z

2012-01-03T21:42:41Z

@@ Line 44: / Line 44: @@
 | ex3=<mt p="SoundVisualization" g="Ecco" altg="Ecco the Dolphin" w="{{RPS2W}}" h="{{RPS2H}}"></mt>
 | ex4=<mt p="SoundVisualization" g="DevilsTuningFork" altg="Devil's Tuning Fork" w="{{R5by4W}}" h="{{R5by4H}}"></mt>
-| ex5=<mt p="SoundVisualization" g="SingStar" w="{{R16by9W}}" h="{{R16by9H}}"></mt>
+| ex5=<mt p="SoundVisualization" g="SingStar" altg="SingStar Vol.3" w="{{R16by9W}}" h="{{R16by9H}}"></mt>
 | ex6=<mt p="SoundVisualization" g="Spore" w="{{R4by3W}}" h="{{R4by3H}}"></mt>
 | ex7=<mt p="SoundVisualization" g="Ocarina Of Time" altg="The Legend of Zelda: Ocarina of Time" w="{{R4by3W}}" h="{{R4by3H}}"></mt>

@@ Line 29: / Line 29: @@
 * In the particular case of [[Dialogue]]: overcome language comprehension difficulties by reading subtitles, possibly in another language, as explored in [[Subtitles and Captions]].
-Most typical solutions adopted in games are (common too other media):
+Typical solutions adopted in games are (common to other media):
 *Diegetic approaches:
 ** Drawing sound waves, which allows locating the source, and possibly the reach and the receptors of that sound, but does not allow knowing the sound itself.

@@ Line 31: / Line 31: @@
 Most typical solutions adopted in games are (common too other media):
 *Diegetic approaches:
-** Drawing sound waves, which allows to locate the source, and possibly the reach and the receptors of that sound, but does not allow to know the sound itself.
+** Drawing sound waves, which allows locating the source, and possibly the reach and the receptors of that sound, but does not allow knowing the sound itself.
-** Drawing an onomatopoeia, possibly next to the source of the sound, which allows to learn what sound it is, and possibly the source.
+** Drawing an onomatopoeia, possibly next to the source of the sound, which allows learning what sound it is, and possibly the source.
 *Non-Diegetic approach:
 ** as explored in [[Subtitles and Captions]]: Inscribe a descriptor of the occurring sounds as closed captions, possibly embedded in subtitles, which allows a verbose description of the several aspects of the sound.

@@ Line 40: / Line 40: @@
 | examples=
-| ex1=<mt p="SoundVisualization" g="Patapon" w="{{R16by9W}}" h="{{R16by9H}}">The all visual representation pulses with the sound - from the most objective, as the rectangle in the border and the drums' onomatopoeias (mapping the [[Sound Input]]), to the more subtle, as the moves and details of the characters (which map and the [[Sound Input]] and the sound they echo themselves).</mt>
+| ex1=<mt p="SoundVisualization" g="Patapon" w="{{R16by9W}}" h="{{R16by9H}}">The whole visual representation pulses with the sound - from the most objective, as the rectangle in the border and the drums' onomatopoeias (mapping the [[Sound Input]]), to the more subtle, as the moves and details of the characters (which map and the [[Sound Input]] and the sound they echo themselves).</mt>
 | ex2=<mt p="SoundVisualization" g="Cut The Rope" altg="Cut the Rope" w="{{ViPhoneW}}" h="{{ViPhoneH}}"></mt>
 | ex3=<mt p="SoundVisualization" g="Ecco" altg="Ecco the Dolphin" w="{{RPS2W}}" h="{{RPS2H}}"></mt>

@@ Line 24: / Line 24: @@
 * Emphasizing some aspect of the sound, by providing a cross-modal reinforcement of the perception.
 * Enabling the game to be played and enjoyed without sound. This is relevant in several circumstances:
-** for playing in noisy environments (e.g. using mobile platforms).
+** for playing in noisy environments (e.g., using mobile platforms).
 ** for playing in places where the context obliges that the sound is mute or very low volume.
 ** for hard-of-hearing or deaf players<ref name="deafgamers"/>.

@@ Line 21: / Line 21: @@
 | revisions =Introduced in version 1.0
 | description=
-[[Sound Visualization]] consists in providing graphical representations to accompany occurring sounds. There are some reasons for this to be interesting:
+[[Sound Visualization]] consists of providing graphical representations to accompany occurring sounds. There are some reasons for this to be interesting:
 * Emphasizing some aspect of the sound, by providing a cross-modal reinforcement of the perception.
 * Enabling the game to be played and enjoyed without sound. This is relevant in several circumstances:

@@ Line 2: / Line 2: @@
 | name =Sound Visualization
 | deckversion =1.0
-| synopsis =Graphical perception of the occurrence of sound
+| v10synopsis =Graphical perception of the occurrence of sound
 | patternpresentation =
 | cardpresentation=
@@ Line 10: / Line 11: @@
 | v20backface =SoundVisualization-back-v20.png
 | screenshots=
 | v20rel-tag1=May relate to:<br>
 | v20rel1=[[Sound Input]], [[Rhythm Gameplay]], [[Pitch Gameplay]]<br>

@@ Line 42: / Line 42: @@
 | ex6=<mt p="SoundVisualization" g="Spore" w="{{R4by3W}}" h="{{R4by3H}}"></mt>
 | ex7=<mt p="SoundVisualization" g="Ocarina Of Time" altg="The Legend of Zelda: Ocarina of Time" w="{{R4by3W}}" h="{{R4by3H}}"></mt>
-| ex8 =<mt p="Dialogue" g="Gadget" altg="iGadget" w="{{ViPhoneH}}" h="{{ViPhoneW}}">In this game, due to the option of not using [[Dialogue]], the subtitles </mt>
+| ex8 =<mt p="Dialogue" g="Gadget" altg="iGadget" w="{{ViPhoneH}}" h="{{ViPhoneW}}">In this game, due to the option of not voicing [[Dialogue]], the subtitles are the means to convey the discourse.</mt>
 | showrefs=1
 }}