Sound Layers and Semantics - Revision history

ValterAlves: Redirected page to Sound Layers

2011-12-25T19:49:40Z

Redirected page to Sound Layers

ValterAlves at 21:28, 21 December 2011

2011-12-21T21:28:37Z

ValterAlves at 02:29, 7 December 2011

2011-12-07T02:29:29Z

ValterAlves at 02:23, 7 December 2011

2011-12-07T02:23:23Z

ValterAlves at 01:26, 17 November 2011

2011-11-17T01:26:05Z

ValterAlves at 19:33, 16 November 2011

2011-11-16T19:33:00Z

ValterAlves at 20:00, 2 October 2011

2011-10-02T20:00:27Z

ValterAlves at 23:35, 19 September 2011

2011-09-19T23:35:42Z

ValterAlves at 20:01, 12 September 2011

2011-09-12T20:01:52Z

ValterAlves at 18:05, 12 September 2011

2011-09-12T18:05:42Z

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-{{Card
+#REDIRECT [[Sound Layers]]
-| name =Sound Layers and Semantics
-| deckversion =1.0
-| deprecatedcard = {{ToBeDiscontinuedAfterV-1-0}}
-| synopsis =Grouping design decisions according to their semantics
-| patternpresentation =
-| cardpresentation=
-| frontface =SoundLayersAndSemantics-front-v10.png
-| backface =SoundLayersAndSemantics-back-v10.png
-| screenshots=
-| rel-tag1=Context:<br>
-| rel1=[[Sound Design in Games]]<br>
-| rel-tag2=Parts:<br>
-| rel2=[[Ambiance]], [[Foley]], [[Sound Effects]], [[Music]], [[Dialogue]]<br>
-| rel-tag3=Makes use of:<br>
-| rel3=[[Acoustic Ecology]]<br>
-| revisions =Introduced in version 1.0
-| description=
-Sounds can be structured in layers according to its semantics and communicative purpose. The layers are: [[Ambiance]], [[Foley]], [[Sound Effects]], [[Dialogue]], and [[Music]] [http://www.example.com ([pending] Peck, 2001, 2007)].
-−
-Addressing sound design decisions according to such grouping may be useful when establishing high level exploration goals and/or when wrapping the lower-lever explorations according to the semantics of the sounds that will be needed to implement them.
-−
-In consonance with the [[The overall mindset|mindset]] and the guidelines[http://www.example.com ([pending])] that are on the basis of [[this approach]], the explorations of [[Sound Design in Games]] benefit from considering all the layers in a holistic manner that may allow to produce an [[Acoustic Ecology]] rather then a superimposition of sounds.
-−
-It is also worth mentioning that the exploration of each of the sound levels does not imply, by no means, that sounds representing that level ought to be included in the design. The exploration can consist precisely in ''not including'' sounds of a particular level (e.g., no [[Dialogue]] and no [[Music]]).
-−
-| examples =
-In [[Half-Life 2]] the player feels immersed in an [[Acoustic Ecology]] where sounds belonging to each of the layers has been explored
-−
-| ex1=<mt p="SoundLayerAndSemantics" g="Half Life 2" altg="Half-Life 2" w="{{R8by5W}}" h="{{R8by5H}}"></mt>
-| ex2=<mt p="Signature" g="Bioshock" w="{{R16by9W}}" h="{{R16by9H}}"></mt>
-| ex3=<mt p="Foley" g="Portal" w="{{R8by5W}}" h="{{R8by5H}}"></mt>
-| ex4=<mt prompt="Ambiance in HalfLife2" p="Ambiance" g="HalfLife2" altg="Half-Life 2" w="{{R8by5W}}" h="{{R8by5H}}">A moment of calm allows to enjoy the [[Ambiance]].</mt>
-| ex5=<mt prompt="Dialogue in HalfLife2" p="Dialogue" g="HalfLife2" altg="Half-Life 2" w="{{R8by5W}}" h="{{R8by5H}}">This scene includes disparate explorations of [[Dialogue]]. For instance some of the action is experienced exclusively through the discourse, with no visual support.</mt>
-| ex6=<mt prompt="Foley in HalfLife2" p="Foley" g="HalfLife2" altg="Half-Life 2" w="{{R8by5W}}" h="{{R8by5H}}">The interaction with objects is accompanied by the respective [[Foley]].</mt>
-| ex7=<mt prompt="Music in HalfLife2" p="Music" g="HalfLife2" altg="Half-Life 2" w="{{R8by5W}}" h="{{R8by5H}}">[[Music]] prepares and supports the haste of a fight.</mt>
-| ex8=<mt prompt="Sound Effects in HalfLife2" p="SoundEffects" g="HalfLife2" altg="Half-Life 2" w="{{R8by5W}}" h="{{R8by5H}}">Picking this objects is accompanied representative [[Sound Effects]]</mt>
-| external=
-Peck, N., Beyond the library: Applying film postproduction techniques to game sound design. in Proc. of Game Developers Conference, (San Jose CA, USA, 2001).<br />
-Peck, N. CoFesta/TGS Tokyo, Japan.(2007)
-The presentation of the pattern in [pending] (Alves & Roque, 2010)
-guidelines (Alves & Roque, 2009, 2011)
-}}

@@ Line 30: / Line 30: @@
 | ex1=<mt p="SoundLayerAndSemantics" g="Half Life 2" altg="Half-Life 2" w="{{R8by5W}}" h="{{R8by5H}}"></mt>
 | ex2=<mt p="Signature" g="Bioshock" w="{{R16by9W}}" h="{{R16by9H}}"></mt>
 | ex4=<mt prompt="Ambiance in HalfLife2" p="Ambiance" g="HalfLife2" altg="Half-Life 2" w="{{R8by5W}}" h="{{R8by5H}}">A moment of calm allows to enjoy the [[Ambiance]].</mt>
 | ex5=<mt prompt="Dialogue in HalfLife2" p="Dialogue" g="HalfLife2" altg="Half-Life 2" w="{{R8by5W}}" h="{{R8by5H}}">This scene includes disparate explorations of [[Dialogue]]. For instance some of the action is experienced exclusively through the discourse, with no visual support.</mt>

@@ Line 28: / Line 28: @@
 In [[Half-Life 2]] the player feels immersed in an [[Acoustic Ecology]] where sounds belonging to each of the layers has been explored
-| ex1=<mt p="SoundLayersAndSemantics" g="Half Life 2" altg="Half-Life 2" w="{{R8by5W}}" h="{{R8by5H}}"></mt>
+| ex1=<mt p="SoundLayerAndSemantics" g="Half Life 2" altg="Half-Life 2" w="{{R8by5W}}" h="{{R8by5H}}"></mt>
 | ex2=<mt p="Signature" g="Bioshock" w="{{R16by9W}}" h="{{R16by9H}}"></mt>
 | ex4=<mt prompt="Ambiance in HalfLife2" p="Ambiance" g="HalfLife2" altg="Half-Life 2" w="{{R8by5W}}" h="{{R8by5H}}">A moment of calm allows to enjoy the [[Ambiance]].</mt>

@@ Line 28: / Line 28: @@
 In [[Half-Life 2]] the player feels immersed in an [[Acoustic Ecology]] where sounds belonging to each of the layers has been explored
-| ex1=<mt p="SLS" g="Half Life 2" altg="Half-Life 2" w="{{R8by5W}}" h="{{R8by5H}}"></mt>
+| ex1=<mt p="SoundLayersAndSemantics" g="Half Life 2" altg="Half-Life 2" w="{{R8by5W}}" h="{{R8by5H}}"></mt>
 | ex2=<mt p="Signature" g="Bioshock" w="{{R16by9W}}" h="{{R16by9H}}"></mt>
-| ex4=<mt prompt="Ambiance in HalfLife2" p="Ambience" g="HalfLife2" altg="Half-Life 2" w="{{R8by5W}}" h="{{R8by5H}}">A moment of calm allows to enjoy the [[Ambiance]].</mt>
+| ex4=<mt prompt="Ambiance in HalfLife2" p="Ambiance" g="HalfLife2" altg="Half-Life 2" w="{{R8by5W}}" h="{{R8by5H}}">A moment of calm allows to enjoy the [[Ambiance]].</mt>
 | ex5=<mt prompt="Dialogue in HalfLife2" p="Dialogue" g="HalfLife2" altg="Half-Life 2" w="{{R8by5W}}" h="{{R8by5H}}">This scene includes disparate explorations of [[Dialogue]]. For instance some of the action is experienced exclusively through the discourse, with no visual support.</mt>
 | ex6=<mt prompt="Foley in HalfLife2" p="Foley" g="HalfLife2" altg="Half-Life 2" w="{{R8by5W}}" h="{{R8by5H}}">The interaction with objects is accompanied by the respective [[Foley]].</mt>

@@ Line 28: / Line 28: @@
 In [[Half-Life 2]] the player feels immersed in an [[Acoustic Ecology]] where sounds belonging to each of the layers has been explored
-| ex1=<mt prompt="Ambiance in HalfLife2" p="Ambience" g="HalfLife2" altg="Half-Life 2" w="{{R8by5W}}" h="{{R8by5H}}">A moment of calm allows to enjoy the [[Ambiance]].</mt>
+| ex1=<mt p="SLS" g="Half Life 2" altg="Half-Life 2" w="{{R8by5W}}" h="{{R8by5H}}"></mt>
-| ex2=<mt prompt="Dialogue in HalfLife2" p="Dialogue" g="HalfLife2" altg="Half-Life 2" w="{{R8by5W}}" h="{{R8by5H}}">This scene includes disparate explorations of [[Dialogue]]. For instance some of the action is experienced exclusively through the discourse, with no visual support.</mt>
+| ex2=<mt p="Signature" g="Bioshock" w="{{R16by9W}}" h="{{R16by9H}}"></mt>
-| ex3=<mt prompt="Foley in HalfLife2" p="Foley" g="HalfLife2" altg="Half-Life 2" w="{{R8by5W}}" h="{{R8by5H}}">The interaction with objects is accompanied by the respective [[Foley]].</mt>
+| ex4=<mt prompt="Ambiance in HalfLife2" p="Ambience" g="HalfLife2" altg="Half-Life 2" w="{{R8by5W}}" h="{{R8by5H}}">A moment of calm allows to enjoy the [[Ambiance]].</mt>
-| ex4=<mt prompt="Music in HalfLife2" p="Music" g="HalfLife2" altg="Half-Life 2" w="{{R8by5W}}" h="{{R8by5H}}">[[Music]] prepares and supports the haste of a fight.</mt>
+| ex5=<mt prompt="Dialogue in HalfLife2" p="Dialogue" g="HalfLife2" altg="Half-Life 2" w="{{R8by5W}}" h="{{R8by5H}}">This scene includes disparate explorations of [[Dialogue]]. For instance some of the action is experienced exclusively through the discourse, with no visual support.</mt>
-| ex5=<mt prompt="Sound Effects in HalfLife2" p="SoundEffects" g="HalfLife2" altg="Half-Life 2" w="{{R8by5W}}" h="{{R8by5H}}">Picking this objects is accompanied representative [[Sound Effects]]</mt>
+| ex6=<mt prompt="Foley in HalfLife2" p="Foley" g="HalfLife2" altg="Half-Life 2" w="{{R8by5W}}" h="{{R8by5H}}">The interaction with objects is accompanied by the respective [[Foley]].</mt>
-| ex6=<mt p="SLS" g="Half Life 2" altg="Half-Life 2" w="{{R8by5W}}" h="{{R8by5H}}"></mt>
+| ex7=<mt prompt="Music in HalfLife2" p="Music" g="HalfLife2" altg="Half-Life 2" w="{{R8by5W}}" h="{{R8by5H}}">[[Music]] prepares and supports the haste of a fight.</mt>
-| ex7=<mt p="Signature" g="Bioshock" w="{{R16by9W}}" h="{{R16by9H}}"></mt>
+| ex8=<mt prompt="Sound Effects in HalfLife2" p="SoundEffects" g="HalfLife2" altg="Half-Life 2" w="{{R8by5W}}" h="{{R8by5H}}">Picking this objects is accompanied representative [[Sound Effects]]</mt>
 | external=
 Peck, N., Beyond the library: Applying film postproduction techniques to game sound design. in Proc. of Game Developers Conference, (San Jose CA, USA, 2001).<br />

@@ Line 33: / Line 33: @@
 | ex4=<mt prompt="Music in HalfLife2" p="Music" g="HalfLife2" altg="Half-Life 2" h="140">[[Music]] prepares and supports the haste of a fight.</mt>
 | ex5=<mt prompt="Sound Effects in HalfLife2" p="SoundEffects" g="HalfLife2" altg="Half-Life 2" h="140">Picking this objects is accompanied representative [[Sound Effects]]</mt>
-| ex6=<mt p="SoundLayerAndSemantics" g="HalfLife2" altg="Half-Life 2" h="156"></mt>
+| ex6=<mt p="SoundLayerAndSemantics" g="Half Life 2" altg="Half-Life 2" h="156"></mt>
 | external=
 Peck, N., Beyond the library: Applying film postproduction techniques to game sound design. in Proc. of Game Developers Conference, (San Jose CA, USA, 2001).<br />