Sound Layers - Revision history

ValterAlves at 23:58, 24 August 2012

2012-08-24T23:58:55Z

ValterAlves at 23:58, 24 August 2012

2012-08-24T23:58:24Z

ValterAlves at 23:14, 24 August 2012

2012-08-24T23:14:36Z

ValterAlves at 22:52, 24 August 2012

2012-08-24T22:52:52Z

ValterAlves at 22:51, 24 August 2012

2012-08-24T22:51:52Z

ValterAlves at 22:51, 24 August 2012

2012-08-24T22:51:02Z

ValterAlves at 22:50, 24 August 2012

2012-08-24T22:50:13Z

ValterAlves at 00:03, 21 August 2012

2012-08-21T00:03:04Z

ValterAlves at 22:30, 20 August 2012

2012-08-20T22:30:06Z

ValterAlves at 22:21, 20 August 2012

2012-08-20T22:21:59Z

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-Classified as aggregator since version 2.0 and, as such, no longer represented as a card (i.e., no longer part of the deck).
+Classified as aggregator since version 2.0 and, as such, no longer represented as a card (i.e., no longer part of the deck).<br>
 Introduced as [[Sound Layers and Semantics]] (in version 1.0)
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 | RevisionsInNameOrDeprecation=
 Classified as aggregator since version 2.0 and, as such, no longer represented as a card (i.e., no longer part of the deck).
 }}

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 | ex8=<mt prompt="Sound Effects in Half-Life2" p="SoundEffects" g="HalfLife2" altg="Half-Life 2" w="{{R8by5W}}" h="{{R8by5H}}">Picking these objects is accompanied with representative [[Sound Effects]].</mt>
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 | revisions =Introduced in version 1.0
 | description=
-Sounds can be structured in layers according to its semantics and communicative purpose. The layers are: [[Ambiance]], [[Foley]], [[Sound Effects]], [[Dialogue]], and [[Music]] <ref name="Peck2001"><ref name="Peck2007">.
+Sounds can be structured in layers according to its semantics and communicative purpose. The layers are: [[Ambiance]], [[Foley]], [[Sound Effects]], [[Dialogue]], and [[Music]] <ref name="Peck2001"/><ref name="Peck2007"/>.
 Addressing sound design decisions according to such grouping may be useful when establishing high-level exploration goals and/or when wrapping the lower-lever explorations according to the semantics of the sounds that will be needed to implement them.

@@ Line 24: / Line 24: @@
 | revisions =Introduced in version 1.0
 | description=
-Sounds can be structured in layers according to its semantics and communicative purpose. The layers are: [[Ambiance]], [[Foley]], [[Sound Effects]], [[Dialogue]], and [[Music]] <ref "Peck2001" /><ref "Peck2007" />.
+Sounds can be structured in layers according to its semantics and communicative purpose. The layers are: [[Ambiance]], [[Foley]], [[Sound Effects]], [[Dialogue]], and [[Music]] <ref name="Peck2001"><ref name="Peck2007">.
 Addressing sound design decisions according to such grouping may be useful when establishing high-level exploration goals and/or when wrapping the lower-lever explorations according to the semantics of the sounds that will be needed to implement them.

@@ Line 24: / Line 24: @@
 | revisions =Introduced in version 1.0
 | description=
-Sounds can be structured in layers according to its semantics and communicative purpose. The layers are: [[Ambiance]], [[Foley]], [[Sound Effects]], [[Dialogue]], and [[Music]]<ref name="Peck2001" /><ref name="Peck2007" />.
+Sounds can be structured in layers according to its semantics and communicative purpose. The layers are: [[Ambiance]], [[Foley]], [[Sound Effects]], [[Dialogue]], and [[Music]] <ref "Peck2001"/><ref "Peck2007"/>.
-Addressing sound design decisions according to such grouping may be useful when establishing high level exploration goals and/or when wrapping the lower-lever explorations according to the semantics of the sounds that will be needed to implement them.
+Addressing sound design decisions according to such grouping may be useful when establishing high-level exploration goals and/or when wrapping the lower-lever explorations according to the semantics of the sounds that will be needed to implement them.
-In consonance with the [[The overall mindset|mindset]] and the guidelines[http://www.example.com ([pending])] that are on the basis of [[this approach]], the explorations of [[Sound Design in Games]] benefit from considering all the layers in a holistic manner that may allow to produce an [[Acoustic Ecology]] rather then a superimposition of sounds.
+In consonance with the [[mindset]] and the [[guidelines]] that are on the basis of [[this approach]], the explorations of [[Sound Design in Games]] benefit from considering all the layers in a holistic manner that may allow to produce an [[Acoustic Ecology]] rather than a superimposition of sounds.
 It is also worth mentioning that the exploration of each of the sound levels does not imply, by no means, that sounds representing that level ought to be included in the design. The exploration can consist precisely in ''not including'' sounds of a particular level (e.g., no [[Dialogue]] and no [[Music]]).
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 | ex6=<mt prompt="Foley in Half-Life2" p="Foley" g="HalfLife2" altg="Half-Life 2" w="{{R8by5W}}" h="{{R8by5H}}">The interaction with objects is accompanied by the respective [[Foley]].</mt>
 | ex7=<mt prompt="Music in Half-Life2" p="Music" g="HalfLife2" altg="Half-Life 2" w="{{R8by5W}}" h="{{R8by5H}}">[[Music]] prepares and supports the haste of a fight.</mt>
-| ex8=<mt prompt="Sound Effects in Half-Life2" p="SoundEffects" g="HalfLife2" altg="Half-Life 2" w="{{R8by5W}}" h="{{R8by5H}}">Picking these objects is accompanied representative [[Sound Effects]]</mt>
+| ex8=<mt prompt="Sound Effects in Half-Life2" p="SoundEffects" g="HalfLife2" altg="Half-Life 2" w="{{R8by5W}}" h="{{R8by5H}}">Picking these objects is accompanied with representative [[Sound Effects]].</mt>
 | showrefs=1
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 | examples =
-| ex1=<mt p="SoundLayerAndSemantics" g="Half Life 2" altg="Half-Life 2" w="{{R8by5W}}" h="{{R8by5H}}">The player feels immersed in an [[Acoustic Ecology]] where sounds belonging to each of the [[Sound Layers]] has been explored.</mt>
+| ex1=<mt p="SoundLayerAndSemantics" g="Half Life 2" altg="Half-Life 2" w="{{R8by5W}}" h="{{R8by5H}}">The player feels immersed in an [[Acoustic Ecology]] where sounds belonging to each of the [[Sound Layers]] were explored.</mt>
 | ex2=<mt p="Signature" g="Bioshock" altg="BioShock" w="{{R16by9W}}" h="{{R16by9H}}"></mt>
 | ex3=<mt p="Foley" g="Portal" w="{{R8by5W}}" h="{{R8by5H}}"></mt>