Radio - Revision history

ValterAlves at 05:14, 27 August 2012

2012-08-27T05:14:08Z

ValterAlves at 18:08, 26 August 2012

2012-08-26T18:08:19Z

ValterAlves at 18:34, 24 August 2012

2012-08-24T18:34:08Z

ValterAlves at 16:24, 19 July 2012

2012-07-19T16:24:47Z

ValterAlves at 14:29, 19 July 2012

2012-07-19T14:29:57Z

ValterAlves at 01:10, 25 May 2012

2012-05-25T01:10:11Z

ValterAlves at 23:02, 24 May 2012

2012-05-24T23:02:42Z

ValterAlves at 17:28, 3 January 2012

2012-01-03T17:28:30Z

ValterAlves at 17:22, 3 January 2012

2012-01-03T17:22:04Z

ValterAlves at 18:13, 21 December 2011

2011-12-21T18:13:14Z

@@ Line 29: / Line 29: @@
 | examples=
 | ex1=<mt p="Radio" g="Portal" w="{{R8by5W}}" h="{{R8by5H}}">Several [[Radio]]s, found along the way, play this "peppy" instrumental version of a song that will have an important role, later in the game.</mt>
 | ex2=<mt p="Radio" g="Half Life 2" altg="Half-Life 2" w="{{R8by5W}}" h="{{R8by5H}}">A [[Radio]] broadcasting information.</mt>
@@ Line 38: / Line 39: @@
 | ex8=<mt p="Radio" g="Chaos Theory" altg="Tom Clancy's Splinter Cell Chaos Theory" w="{{R5by4W}}" h="{{R5by4H}}">In this case the [[Radio]] emission competes for the attention during [[Stealth]] action. Radios can be turned off or destroyed.</mt>
 | ex9=<mt p="Radio" g="Crysis" w="{{R4by3W}}" h="{{R4by3H}}"></mt>
-| ex10=<mt p="Radio" g="Commandos BCD" h="200">A radio-like device being used as a [[Sound Decoys|Sound Decoy]].</mt>
+<!--| ex10=<mt p="Radio" g="Commandos BCD" h="200">A radio-like device being used as a [[Sound Decoys|Sound Decoy]].</mt>-->
 <!--| ex_=<mt p="Radio" g="PapaSangre" w="{{ViPhoneH}}" h="{{ViPhoneW}}"></mt>-->
 }}

@@ Line 18: / Line 18: @@
 [[Radio]] devices present disparate solutions to offer audio stimuli inside the game world (i.e.,  in a diegetic way).
-It is fairly common to came across [[Radio|Radios]] in open-world games. Clearly, the inclusion of these objects in the game world is a sound design decision.
+It is fairly common to come across [[Radio|Radios]] in open-world games. Clearly, the inclusion of these objects in the game world is a sound design decision.
 [[Radio|Radios]] may only convey [[Diegetic Music]] but many times they serve the [[Narrative]], or act as [[Helper Voice]] by providing information relevant to the gameplay. There are also cases of [[Radio|Radios]] playing a role during [[Stealth]] performance.

@@ Line 22: / Line 22: @@
 [[Radio|Radios]] may only convey [[Diegetic Music]] but many times they serve the [[Narrative]], or act as [[Helper Voice]] by providing information relevant to the gameplay. There are also cases of [[Radio|Radios]] playing a role during [[Stealth]] performance.
-[[Radio]]s are related but different from [[Recordings]]. The latter usually presents scattered and anachronical pieces of past testimonies, and serves [[Recordings|distinctive purposes]].
+[[Radio]]s are related but different from [[Recordings]]. The latter usually presents scattered and anachronical pieces of past testimonies, and serves [[Recordings|distinct purposes]].
 | additional=

@@ Line 36: / Line 36: @@
 | ex6=<mt p="Acoustic Ecology" g="GTA4" altg="Grand Theft Auto IV"  w="{{R16by9W}}" h="{{R16by9H}}">The [[Radio]] contributes in a naturalist manner with [[Music]] ([[Diegetic Music]]) that completes the [[Acoustic Ecology]]. Cars are also equipped with [[Radio]] and it is possible to change station.</mt>
 | ex7=<mt p="DiegeticMusic" g="Far Cry 2" w="{{R16by9W}}" h="{{R16by9H}}">A [[Radio]] tuned in the local radio station is a common finding ([[Diegetic Music]] and some voiced pieces). There are even missions where the [[Radio]] emission is central. The radio station is explicitly presented by a taxi driver in an initial [[Cutscenes|Cutscene]].</mt>
-| ex8=<mt p="Radio" g="Chaos Theory" altg="Tom Clancy's Splinter Cell: Chaos Theory" w="{{R5by4W}}" h="{{R5by4H}}">In this case the [[Radio]] emission competes for the attention during [[Stealth]] action. Radios can be turned off or destroyed.</mt>
+| ex8=<mt p="Radio" g="Chaos Theory" altg="Tom Clancy's Splinter Cell Chaos Theory" w="{{R5by4W}}" h="{{R5by4H}}">In this case the [[Radio]] emission competes for the attention during [[Stealth]] action. Radios can be turned off or destroyed.</mt>
 | ex9=<mt p="Radio" g="Crysis" w="{{R4by3W}}" h="{{R4by3H}}"></mt>
 | ex10=<mt p="Radio" g="Commandos BCD" h="200">A radio-like device being used as a [[Sound Decoys|Sound Decoy]].</mt>

@@ Line 34: / Line 34: @@
 | ex4=<mt p="Radio" g="Dead To Rights" altg="Dead to Rights: Retribution" w="{{R16by9W}}" h="{{R16by9H}}">The news contribute with a bit of [[Narrative]].</mt>
 | ex5=<mt p="UnawareNPC" g="Tomb Raider Legend" w="{{R5by4W}}" h="{{R5by4H}}">Lara is wearing a communicator ([[Helper Voice]]). The opponent is also using a walkie-talkie ([[Unaware NPC]]).</mt>
-| ex6=<mt p="Acoustic Ecology" g="GTA4" altg="Grand Theft Auto 4"  w="{{R16by9W}}" h="{{R16by9H}}">The [[Radio]] contributes in a naturalist manner with [[Music]] ([[Diegetic Music]]) that completes the [[Acoustic Ecology]]. Cars are also equipped with [[Radio]] and it is possible to change station.</mt>
+| ex6=<mt p="Acoustic Ecology" g="GTA4" altg="Grand Theft Auto IV"  w="{{R16by9W}}" h="{{R16by9H}}">The [[Radio]] contributes in a naturalist manner with [[Music]] ([[Diegetic Music]]) that completes the [[Acoustic Ecology]]. Cars are also equipped with [[Radio]] and it is possible to change station.</mt>
 | ex7=<mt p="DiegeticMusic" g="Far Cry 2" w="{{R16by9W}}" h="{{R16by9H}}">A [[Radio]] tuned in the local radio station is a common finding ([[Diegetic Music]] and some voiced pieces). There are even missions where the [[Radio]] emission is central. The radio station is explicitly presented by a taxi driver in an initial [[Cutscenes|Cutscene]].</mt>
 | ex8=<mt p="Radio" g="Chaos Theory" altg="Tom Clancy's Splinter Cell: Chaos Theory" w="{{R5by4W}}" h="{{R5by4H}}">In this case the [[Radio]] emission competes for the attention during [[Stealth]] action. Radios can be turned off or destroyed.</mt>

@@ Line 26: / Line 26: @@
 | additional=
 Radio in ''Silent Hill'', [http://silenthill.wikia.com/wiki/Radio Silent Hill Wiki].<br />
-In ''Silent Hill: Homecoming'' (a newer installment in the series) the radio is actually a radio transceiver (walkie-talkie) [http://silenthill.wikia.com/wiki/Radio].
+In ''Silent Hill: Homecoming'' (a newer instalment in the series) the radio is actually a radio transceiver (walkie-talkie) [http://silenthill.wikia.com/wiki/Radio].
 | examples=

@@ Line 30: / Line 30: @@
 | examples=
 | ex1=<mt p="Radio" g="Portal" w="{{R8by5W}}" h="{{R8by5H}}">Several radios, found along the way, play this 'peppy' instrumental version of a song that will have an important role, later in the game.</mt>
-| ex2=<mt p="DiegeticMusic" g="Far Cry 2" w="{{R16by9W}}" h="{{R16by9H}}">A [[Radio]] tuned in the local radio station is a common finding ([[Diegetic Music]] and some voiced pieces). There are even missions where the radio emission is central. The radio station is explicitly presented by a taxi driver in an initial [[Cutscenes|Cutscene]].</mt>
+| ex2=<mt p="Radio" g="Half Life 2" altg="Half-Life 2" w="{{R8by5W}}" h="{{R8by5H}}">A [[Radio]] broadcasting information.</mt>
 | ex3=<mt p="Radio" g="Silent Hill" w="{{RPS2W}}" h="{{RPS2H}}">In this game the radio is relevant not because of a regular emission it might receive but because it emits noise when enemies are nearby ([[Echolocation]]).</mt>
 | ex4=<mt p="Radio" g="Dead To Rights" altg="Dead to Rights: Retribution" w="{{R16by9W}}" h="{{R16by9H}}">The news contribute with a bit of [[Narrative]].</mt>
-| ex5=<mt p="Radio" g="Chaos Theory" altg="Tom Clancy's Splinter Cell: Chaos Theory" w="{{R5by4W}}" h="{{R5by4H}}">In this case the radio emission competes for the attention during [[Stealth]] action. Radios can be turned off or destroyed.</mt>
+| ex5=<mt p="UnawareNPC" g="Tomb Raider Legend" w="{{R5by4W}}" h="{{R5by4H}}">Lara is wearing a communicator ([[Helper Voice]]). The opponent is also using a walkie-talkie ([[Unaware NPC]]).</mt>
 | ex6=<mt p="Acoustic Ecology" g="GTA4" altg="Grand Theft Auto 4"  w="{{R16by9W}}" h="{{R16by9H}}">The radio contributes in a naturalist manner with [[Music]] ([[Diegetic Music]]) that completes the [[Acoustic Ecology]]. Cars are also equipped with radio and it is possible to change station.</mt>
-| ex7=<mt p="Radio" g="Commandos BCD" h="200">A radio-like device being used as a [[Sound Decoys|Sound Decoy]].</mt>
+| ex7=<mt p="DiegeticMusic" g="Far Cry 2" w="{{R16by9W}}" h="{{R16by9H}}">A [[Radio]] tuned in the local radio station is a common finding ([[Diegetic Music]] and some voiced pieces). There are even missions where the radio emission is central. The radio station is explicitly presented by a taxi driver in an initial [[Cutscenes|Cutscene]].</mt>
-| ex8=<mt p="UnawareNPC" g="Tomb Raider Legend" w="{{R5by4W}}" h="{{R5by4H}}">Lara is wearing a communicator ([[Helper Voice]]). The opponent is also using a walkie-talkie ([[Unaware NPC]]).</mt>
+| ex8=<mt p="Radio" g="Chaos Theory" altg="Tom Clancy's Splinter Cell: Chaos Theory" w="{{R5by4W}}" h="{{R5by4H}}">In this case the radio emission competes for the attention during [[Stealth]] action. Radios can be turned off or destroyed.</mt>
-| ex9=<mt p="Radio" g="Half Life 2" altg="Half-Life 2" w="{{R8by5W}}" h="{{R8by5H}}">A [[Radio]] broadcasting information.</mt>
+| ex9=<mt p="Radio" g="Crysis" w="{{R4by3W}}" h="{{R4by3H}}"></mt>
-| ex10=<mt p="Radio" g="Crysis" w="{{R4by3W}}" h="{{R4by3H}}"></mt>
+| ex10=<mt p="Radio" g="Commandos BCD" h="200">A radio-like device being used as a [[Sound Decoys|Sound Decoy]].</mt>
-| ex11=<mt p="Radio" g="PapaSangre" w="{{ViPhoneH}}" h="{{ViPhoneW}}"></mt>
+<!--| ex_=<mt p="Radio" g="PapaSangre" w="{{ViPhoneH}}" h="{{ViPhoneW}}"></mt>-->
 }}