Noise - Revision history

ValterAlves at 03:07, 26 August 2012

2012-08-26T03:07:38Z

ValterAlves at 02:37, 26 August 2012

2012-08-26T02:37:20Z

ValterAlves at 16:26, 19 July 2012

2012-07-19T16:26:52Z

ValterAlves at 00:47, 25 May 2012

2012-05-25T00:47:56Z

ValterAlves at 23:02, 24 May 2012

2012-05-24T23:02:43Z

ValterAlves at 17:11, 4 January 2012

2012-01-04T17:11:54Z

ValterAlves at 15:36, 3 January 2012

2012-01-03T15:36:33Z

ValterAlves at 01:27, 22 December 2011

2011-12-22T01:27:00Z

ValterAlves at 16:57, 21 December 2011

2011-12-21T16:57:19Z

ValterAlves at 22:50, 28 November 2011

2011-11-28T22:50:34Z

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 | external=
 [http://gaming.wikia.com/wiki/Tom_Clancy's_Splinter_Cell:_Chaos_Theory Tom Clancy's Splinter Cell: Chaos Theory Wikia Gaming]
 }}

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 | external=
-[http://gaming.wikia.com/wiki/Tom_Clancy's_Splinter_Cell:_Chaos_Theory Tom Clancy's Splinter Cell: Chaos Theory - Wikia Gaming]
+[http://gaming.wikia.com/wiki/Tom_Clancy's_Splinter_Cell:_Chaos_Theory Tom Clancy's Splinter Cell: Chaos Theory Wikia Gaming]
 }}

@@ Line 22: / Line 22: @@
 | ex3=<mt p="Noise" g="Silent Hill" w="{{RPS2W}}" h="{{RPS2H}}">In the Silent Hill series, the PC carries a [[Radio]] that emits a static [[Noise]] when there are enemies in the surroundings, contributing to [[Awareness]], which is a relevant element of gameplay.</mt>
 | ex4=<mt p="Noise" g="Flower" w="{{R16by9W}}" h="{{R16by9H}}">[[Noise]] as part of the starting point for the unfolding of the [[Emotional Script]] along the experience, as explored in the game's [[Menus]]. In the beginning of the game the [[Menus|Menu]] presents an [[Acoustic Ecology]] (predominantly [[Ambiance]]) allusive to a emotionally negative environment. As the game progresses, it becomes more positive and eventually it becomes highly rewarding.</mt>
-| ex5=<mt p="Noise" g="Chaos Theory" altg="Tom Clancy's Splinter Cell: Chaos Theory" w="{{R5by4W}}" h="{{R5by4H}}">The level of [[Noise]] as part of the gameplay, namely in [[Stealth]] operations. Here, [[Noise]] is understood as the ''loudness'' of the [[Ambiance]] and of the PC's actions. If the PC makes more [[Noise]] than its surroundings he is heard by the opponents. The HUD includes an aural monitor that allows comparing both levels of [[Noise]].
+| ex5=<mt p="Noise" g="Chaos Theory" altg="Tom Clancy's Splinter Cell Chaos Theory" w="{{R5by4W}}" h="{{R5by4H}}">The level of [[Noise]] as part of the gameplay, namely in [[Stealth]] operations. Here, [[Noise]] is understood as the ''loudness'' of the [[Ambiance]] and of the PC's actions. If the PC makes more [[Noise]] than its surroundings he is heard by the opponents. The HUD includes an aural monitor that allows comparing both levels of [[Noise]].
 </mt>
 | ex6=<mt p="Noise" g="Silent Hill Homecoming" w="{{R16by9W}}" h="{{R16by9H}}"></mt>

@@ Line 22: / Line 22: @@
 | ex3=<mt p="Noise" g="Silent Hill" w="{{RPS2W}}" h="{{RPS2H}}">In the Silent Hill series, the PC carries a [[Radio]] that emits a static [[Noise]] when there are enemies in the surroundings, contributing to [[Awareness]], which is a relevant element of gameplay.</mt>
 | ex4=<mt p="Noise" g="Flower" w="{{R16by9W}}" h="{{R16by9H}}">[[Noise]] as part of the starting point for the unfolding of the [[Emotional Script]] along the experience, as explored in the game's [[Menus]]. In the beginning of the game the [[Menus|Menu]] presents an [[Acoustic Ecology]] (predominantly [[Ambiance]]) allusive to a emotionally negative environment. As the game progresses, it becomes more positive and eventually it becomes highly rewarding.</mt>
-| ex5=<mt p="Noise" g="Chaos Theory" altg="Tom Clancy's Splinter Cell: Chaos Theory" w="{{R5by4W}}" h="{{R5by4H}}">The level of [[Noise]] as part of the gameplay, namely in [[Stealth]] operations. Here, [[Noise]] is understood as the ''loudness'' of the [[Ambiance]] and of the PC's actions. If the PC makes more [[Noise]] than its surroundings he is heard by the opponents. The HUD includes an aural monitor that allows to compare both levels of [[Noise]].
+| ex5=<mt p="Noise" g="Chaos Theory" altg="Tom Clancy's Splinter Cell: Chaos Theory" w="{{R5by4W}}" h="{{R5by4H}}">The level of [[Noise]] as part of the gameplay, namely in [[Stealth]] operations. Here, [[Noise]] is understood as the ''loudness'' of the [[Ambiance]] and of the PC's actions. If the PC makes more [[Noise]] than its surroundings he is heard by the opponents. The HUD includes an aural monitor that allows comparing both levels of [[Noise]].
 </mt>
 | ex6=<mt p="Noise" g="Silent Hill Homecoming" w="{{R16by9W}}" h="{{R16by9H}}"></mt>

@@ Line 20: / Line 20: @@
 | ex1=<mt p="Noise" g="Gadget" altg="iGadget" w="{{ViPhoneH}}" h="{{ViPhoneW}}"></mt>
 | ex2=<mt p="Noise" g="Limbo" w="{{R16by9W}}" h="{{R16by9H}}">Limbo presents us an example of the use of [[Noise]] as part of the [[Ambiance]] {{Pending|[REF]}}. In this case, noise is constant and soft.</mt>
-| ex3=<mt p="Noise" g="Silent Hill" w="{{RPS2W}}" h="{{RPS2H}}">In the Silent Hill series, the PC carries a [[Radio]] which emits a static [[Noise]] when there are enemies in the surroundings, contributing to [[Awareness]], which is a relevant element of gameplay.</mt>
+| ex3=<mt p="Noise" g="Silent Hill" w="{{RPS2W}}" h="{{RPS2H}}">In the Silent Hill series, the PC carries a [[Radio]] that emits a static [[Noise]] when there are enemies in the surroundings, contributing to [[Awareness]], which is a relevant element of gameplay.</mt>
 | ex4=<mt p="Noise" g="Flower" w="{{R16by9W}}" h="{{R16by9H}}">[[Noise]] as part of the starting point for the unfolding of the [[Emotional Script]] along the experience, as explored in the game's [[Menus]]. In the beginning of the game the [[Menus|Menu]] presents an [[Acoustic Ecology]] (predominantly [[Ambiance]]) allusive to a emotionally negative environment. As the game progresses, it becomes more positive and eventually it becomes highly rewarding.</mt>
 | ex5=<mt p="Noise" g="Chaos Theory" altg="Tom Clancy's Splinter Cell: Chaos Theory" w="{{R5by4W}}" h="{{R5by4H}}">The level of [[Noise]] as part of the gameplay, namely in [[Stealth]] operations. Here, [[Noise]] is understood as the ''loudness'' of the [[Ambiance]] and of the PC's actions. If the PC makes more [[Noise]] than its surroundings he is heard by the opponents. The HUD includes an aural monitor that allows to compare both levels of [[Noise]].

@@ Line 19: / Line 19: @@
 | examples=
 | ex1=<mt p="Noise" g="Gadget" altg="iGadget" w="{{ViPhoneH}}" h="{{ViPhoneW}}"></mt>
-| ex2=<mt p="Noise" g="Limbo" w="{{R16by9W}}" h="{{R16by9H}}">Limbo present us an example of the use [[Noise]] as part of the [[Ambiance]] {{Pending|[REF]}}. In this case, noise is constant and soft.</mt>
+| ex2=<mt p="Noise" g="Limbo" w="{{R16by9W}}" h="{{R16by9H}}">Limbo presents us an example of the use of [[Noise]] as part of the [[Ambiance]] {{Pending|[REF]}}. In this case, noise is constant and soft.</mt>
 | ex3=<mt p="Noise" g="Silent Hill" w="{{RPS2W}}" h="{{RPS2H}}">In the Silent Hill series, the PC carries a [[Radio]] which emits a static noise when there are enemies in the surroundings, contributing to [[Awareness]], which is a relevant element of gameplay.</mt>
 | ex4=<mt p="Noise" g="Flower" w="{{R16by9W}}" h="{{R16by9H}}">[[Noise]] as part of the starting point for the unfolding of the [[Emotional Script]] along the experience, as explored in the game's [[Menus]]. In the beginning of the game the [[Menus|Menu]] presents an [[Acoustic Ecology]] (predominantly [[Ambiance]]) allusive to a emotionally negative environment. As the game progresses, it becomes more positive and eventually it becomes highly rewarding.</mt>