New Main Page - Revision history

ValterAlves at 23:22, 24 May 2012

2012-05-24T23:22:56Z

ValterAlves at 10:21, 14 January 2012

2012-01-14T10:21:49Z

ValterAlves at 10:21, 14 January 2012

2012-01-14T10:21:24Z

ValterAlves at 10:21, 14 January 2012

2012-01-14T10:21:06Z

ValterAlves at 10:20, 14 January 2012

2012-01-14T10:20:43Z

ValterAlves at 10:18, 14 January 2012

2012-01-14T10:18:20Z

ValterAlves at 10:13, 14 January 2012

2012-01-14T10:13:27Z

ValterAlves at 10:12, 14 January 2012

2012-01-14T10:12:26Z

ValterAlves at 10:11, 14 January 2012

2012-01-14T10:11:19Z

ValterAlves at 10:04, 14 January 2012

2012-01-14T10:04:56Z

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 Expertise in sound design for games is mainly a privilege of senior designers. The broad community of independent game developers remains mostly challenged by small budgets and scarce know how, while trying to integrate sound in their games. The empowerment of a broader community of developers could unleash a massive creative potential, with results in the form of innovative sound design ideas and further development of the body of knowledge <ref name="AlvesAM11" /><ref name="AlvesACE11" />.
-A pattern language <ref name="Alexander79" /> has the potential to contribute to such an emancipatory movement <ref name="AlvesAM10" /> as it has proven to be a format addressable by experts and non-experts alike. Patterns are collectively authored through the inventory, translation and re-synthesis of current practice and know-how. This methodology has been successfully adopted in other domains where similar concerns were observed <sup>e.g.</sup><ref name="Borchers" /><ref name="Erl" /><ref name="Gamma" /><ref name="Tidwell" />, including in game design <ref name="Bjork" /> and auditory displays <ref name="Frauenberger" />.
+A pattern language <ref name="Alexander79" /> has the potential to contribute to such an emancipatory movement <ref name="AlvesAM10" /> as it has proven to be a format addressable by experts and non-experts alike. Patterns are collectively authored through the inventory, translation and re-synthesis of current practice and know-how. This methodology has been successfully adopted in other domains where similar concerns were observed <sup>e.g.,</sup><ref name="Borchers" /><ref name="Erl" /><ref name="Gamma" /><ref name="Tidwell" />, including in game design <ref name="Bjork" /> and auditory displays <ref name="Frauenberger" />.
 == Patterns and Cards ==

@@ Line 11: / Line 11: @@
 | style="padding: 8px 8px; margin:0px;border: thin solid #DDD; background-color: #F9F9F9; color: black;"|An approach to Sound Design in Games based in [[Design Patterns | Design Patterns]] and assisted by a [[Deck | Deck of Cards]], strongly influenced by [[Acoustic Ecology | Acoustic Ecology]] and subject to the principle that Sound Design in Games benefits from being embedded in the overall Game Design.
 |}
-Version 2.0 of the deck consists of 77 cards, each representing an homonymous design pattern from the collection.
+Version 2.0 of the deck consists of 77 cards, each representing an homonymous design pattern from the collection.<br />
-−
 '''List''' ''(Views: [[List_of_Cards_(version_2.0)|in another page]])'' <br>

@@ Line 11: / Line 11: @@
 | style="padding: 8px 8px; margin:0px;border: thin solid #DDD; background-color: #F9F9F9; color: black;"|An approach to Sound Design in Games based in [[Design Patterns | Design Patterns]] and assisted by a [[Deck | Deck of Cards]], strongly influenced by [[Acoustic Ecology | Acoustic Ecology]] and subject to the principle that Sound Design in Games benefits from being embedded in the overall Game Design.
 |}
-Version 2.0 of the deck consists of 77 cards, each representing an homonymous design pattern from the collection.<br /><br />
+Version 2.0 of the deck consists of 77 cards, each representing an homonymous design pattern from the collection.
 '''List''' ''(Views: [[List_of_Cards_(version_2.0)|in another page]])'' <br>
 {{List of Cards (version 2.0)}}<br />

@@ Line 11: / Line 11: @@
 | style="padding: 8px 8px; margin:0px;border: thin solid #DDD; background-color: #F9F9F9; color: black;"|An approach to Sound Design in Games based in [[Design Patterns | Design Patterns]] and assisted by a [[Deck | Deck of Cards]], strongly influenced by [[Acoustic Ecology | Acoustic Ecology]] and subject to the principle that Sound Design in Games benefits from being embedded in the overall Game Design.
 |}
-Version 2.0 of the deck consists of 77 cards, each representing an homonymous design pattern from the collection.<br />
+Version 2.0 of the deck consists of 77 cards, each representing an homonymous design pattern from the collection.<br /><br />
-−
 '''List''' ''(Views: [[List_of_Cards_(version_2.0)|in another page]])'' <br>
 {{List of Cards (version 2.0)}}<br />

@@ Line 12: / Line 12: @@
 |}
 Version 2.0 of the deck consists of 77 cards, each representing an homonymous design pattern from the collection.<br />
 '''List''' ''(Views: [[List_of_Cards_(version_2.0)|in another page]])'' <br>
 {{List of Cards (version 2.0)}}<br />

@@ Line 15: / Line 15: @@
 {{List of Cards (version 2.0)}}<br />
-'''Thumbnails''' ''(Views: [[Mosaic of Cards (version 2.0)|in another page]]; <toggledisplay status=show showtext="show...)" hidetext="hide...">)<br>
+'''Thumbnails''' ''(Views: [[Mosaic of Cards (version 2.0)|in another page]]; <toggledisplay status=show showtext="show here...)" hidetext="hide here...">)<br>
 {{DumpDeckThumbnailsWithBorders}}
 </toggledisplay>