Narrative - Revision history

ValterAlves at 22:24, 24 August 2012

2012-08-24T22:24:33Z

ValterAlves at 22:21, 24 August 2012

2012-08-24T22:21:10Z

ValterAlves at 22:17, 24 August 2012

2012-08-24T22:17:10Z

ValterAlves at 20:19, 24 August 2012

2012-08-24T20:19:04Z

ValterAlves at 16:24, 19 July 2012

2012-07-19T16:24:46Z

ValterAlves at 13:31, 24 May 2012

2012-05-24T13:31:10Z

ValterAlves at 16:31, 21 December 2011

2011-12-21T16:31:29Z

ValterAlves at 12:15, 7 December 2011

2011-12-07T12:15:19Z

ValterAlves at 23:54, 28 November 2011

2011-11-28T23:54:34Z

ValterAlves at 22:49, 28 November 2011

2011-11-28T22:49:42Z

@@ Line 35: / Line 35: @@
 | external=
 (Sonnenschein, 2001, Ch. 8: Sound and Narrative)<ref name="Sonnenschein"/>
 | showrefs=1
 }}

@@ Line 36: / Line 36: @@
 (Sonnenschein, 2001, Ch. 8: Sound and Narrative)<ref name="Sonnenschein"/>
 | revisions=
 Introduced in v2.0: Narrative: Substituted Captions: Flower: Music as Narrative→Music and sound efects tell a story (More perceptible explanation)
 Introduced in v2.0: Narrative: Removed Relationships: Context: Sound Design in Games (Sound Design in Games is not being considered a pattern)
-Introduced in v2.0: Narrative: Added Relationships: May use many, including: Narrator (Narrator only entered in v2.0)
+Introduced in v2.0: Narrative: Removed Relationships: Context: Sound Design in Games (Sound Design in Games is not being considered a pattern)
 Introduced in v2.0: Narrative: Added Relationships: May use many, including: houghts (houghts only entered in v2.0)
-Introduced in v2.0: Narrative: Added Relationships: May use many, including: Radio (Radio only entered in v2.0)
+Introduced in v2.0: Narrative: Added Relationships: May use many, including: Narrator (Narrator only entered in v2.0)
 Introduced in v2.0: Narrative: Removed Relationships: May use many, including: Acoustic Ecology (Reducing aggregateness)
-Introduced in v2.0: Narrative: Removed Relationships: May use many, including: Chitchat (Reducing aggregateness)
+Introduced in v2.0: Narrative: Added Relationships: May use many, including: houghts (houghts only entered in v2.0)
 Introduced in v2.0: Narrative: Removed Relationships: May use many, including: Grunts (Reducing aggregateness)
-Introduced in v2.0: Narrative: Removed Relationships: May use many, including: Footsteps (Reducing aggregateness)
+Introduced in v2.0: Narrative: Added Relationships: May use many, including: Radio (Radio only entered in v2.0)
 Introduced in v2.0: Narrative: Reordered Relationships: May use many, including (More meaningful order)
-Introduced in v2.0: Narrative: Substituted Screenshots: BioShock (Zoomed to be more perceptible)
+Introduced in v2.0: Narrative: Removed Relationships: May use many, including: Acoustic Ecology (Reducing aggregateness)
-Introduced in v2.0: Narrative: Substituted Screenshots: Flower (More perceptible frame) 398
-Introduced in v2.0: Narrative: Substituted Synopsis: he contributions of sound to the narrative→he contributions of sound to unfold the game’s story (Removing recursion in synopsis)
+Introduced in v2.0: Narrative: Removed Relationships: May use many, including: Chitchat (Reducing aggregateness)
 Introduced in v1.0: Narrative: Introduced Concept: Narrative (New pattern and homonymous card
 | showrefs=1
 }}

@@ Line 35: / Line 35: @@
 | external=
 (Sonnenschein, 2001, Ch. 8: Sound and Narrative)<ref name="Sonnenschein"/>
 | showrefs=1
 }}

@@ Line 27: / Line 27: @@
 | ex1=<mt p="Narrative" g="Flower" w="{{R16by9W}}" h="{{R16by9H}}"></mt>
 | ex2=<mt p="Narrative" g="Silent Hill" w="{{R16by9W}}" h="{{RSHH}}"></mt>
-| ex3=<mt p="Narrative" g="Bioshock" w="{{R16by9W}}" h="{{R16by9H}}"></mt>
+| ex3=<mt p="Narrative" g="Bioshock" altg="BioShock" w="{{R16by9W}}" h="{{R16by9H}}"></mt>
 | ex4=<mt p="Narrative" g="Aquaria" w="{{R16by9W}}" h="{{R16by9H}}"></mt>
 | ex5=<mt p="Narrative" g="Demons Souls" altg="Demon's Souls" w="{{R16by9W}}" h="{{R16by9H}}"></mt>

@@ Line 30: / Line 30: @@
 | ex4=<mt p="Narrative" g="Aquaria" w="{{R16by9W}}" h="{{R16by9H}}"></mt>
 | ex5=<mt p="Narrative" g="Demons Souls" altg="Demon's Souls" w="{{R16by9W}}" h="{{R16by9H}}"></mt>
-| ex6=<mt p="Narrative" g="Chaos Theory" altg="Tom Clancy's Splinter Cell: Chaos Theory" w="{{R5by4W}}" h="{{R5by4H}}"></mt>
+| ex6=<mt p="Narrative" g="Chaos Theory" altg="Tom Clancy's Splinter Cell Chaos Theory" w="{{R5by4W}}" h="{{R5by4H}}"></mt>
 | ex7=<mt p="Narrative" g="Papa Sangre" w="{{ViPhoneH}}" h="{{ViPhoneW}}"></mt>
 | ex8=<mt p="Narrative" g="Ecco" altg="Ecco the Dolphin" w="{{RPS2W}}" h="{{RPS2H}}">The PC addresses the NPC ([[Address Others]]) so that they tell pieces of the story (and other information).</mt>

@@ Line 25: / Line 25: @@
 [[Narrative]] is mostly conveyed through [[Dialogue]]. Yet it may reach the player/PC through a combination of different explorations which include a [[Narrator]], [[Cutscenes]], scattered and collectible [[Recordings]], [[Radio|Radios]],  conversations with NPC during gameplay ([[Dialogue]]), or even by [[Eavesdropping]] NPC.
 | examples=
-| ex1=<mt p="Narrative" g="Demons Souls" altg="Demon's Souls" w="{{R16by9W}}" h="{{R16by9H}}"></mt>
+| ex1=<mt p="Narrative" g="Flower" w="{{R16by9W}}" h="{{R16by9H}}"></mt>
-| ex2=<mt p="Narrative" g="Bioshock" w="{{R16by9W}}" h="{{R16by9H}}"></mt>
+| ex2=<mt p="Narrative" g="Silent Hill" w="{{R16by9W}}" h="{{RSHH}}"></mt>
-| ex3=<mt p="Narrative" g="Flower" w="{{R16by9W}}" h="{{R16by9H}}"></mt>
+| ex3=<mt p="Narrative" g="Bioshock" w="{{R16by9W}}" h="{{R16by9H}}"></mt>
-| ex4=<mt p="Narrative" g="Chaos Theory" altg="Tom Clancy's Splinter Cell: Chaos Theory" w="{{R5by4W}}" h="{{R5by4H}}"></mt>
+| ex4=<mt p="Narrative" g="Aquaria" w="{{R16by9W}}" h="{{R16by9H}}"></mt>
-| ex5=<mt p="Narrative" g="Papa Sangre" w="{{ViPhoneH}}" h="{{ViPhoneW}}"></mt>
+| ex5=<mt p="Narrative" g="Demons Souls" altg="Demon's Souls" w="{{R16by9W}}" h="{{R16by9H}}"></mt>
-| ex6=<mt p="Narrative" g="Silent Hill" w="{{R16by9W}}" h="{{RSHH}}"></mt>
+| ex6=<mt p="Narrative" g="Chaos Theory" altg="Tom Clancy's Splinter Cell: Chaos Theory" w="{{R5by4W}}" h="{{R5by4H}}"></mt>
-| ex7=<mt p="SoundVisualization" g="Ecco" altg="Ecco the Dolphin" w="{{RPS2W}}" h="{{RPS2H}}">The PC addresses the NPC ([[Address Others]]) so that they tell pieces of the story (and other information).</mt>
+| ex7=<mt p="Narrative" g="Papa Sangre" w="{{ViPhoneH}}" h="{{ViPhoneW}}"></mt>
 }}

@@ Line 23: / Line 23: @@
 | revisions =Introduced in version 1.0<br />Version 2.0: updated synopsis
 | description=
-[[Narrative]] is mostly conveyed through [[Dialogue]]. Yet it may reach the player/PC through a combination of different explorations which include a [[Narrator]], [[Cut-Scenes]], scattered and collectible [[Recordings]], [[Radio|Radios]],  conversations with NPC during gameplay ([[Dialogue]]), or even by [[Eavesdropping]] NPC.
+[[Narrative]] is mostly conveyed through [[Dialogue]]. Yet it may reach the player/PC through a combination of different explorations which include a [[Narrator]], [[Cutscenes]], scattered and collectible [[Recordings]], [[Radio|Radios]],  conversations with NPC during gameplay ([[Dialogue]]), or even by [[Eavesdropping]] NPC.
 | examples=
 | ex1=<mt p="Narrative" g="Demons Souls" altg="Demon's Souls" w="{{R16by9W}}" h="{{R16by9H}}"></mt>