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ValterAlves: /* An approach based on Design Patterns and assisted by a Deck of Cards */

2014-10-04T17:37:31Z

‎An approach based on Design Patterns and assisted by a Deck of Cards

ValterAlves at 11:38, 14 January 2012

2012-01-14T11:38:42Z

ValterAlves at 21:43, 11 December 2011

2011-12-11T21:43:49Z

ValterAlves at 21:43, 11 December 2011

2011-12-11T21:43:01Z

ValterAlves at 15:41, 7 December 2011

2011-12-07T15:41:25Z

ValterAlves at 02:08, 29 November 2011

2011-11-29T02:08:37Z

ValterAlves at 02:08, 29 November 2011

2011-11-29T02:08:12Z

ValterAlves at 01:55, 29 November 2011

2011-11-29T01:55:14Z

ValterAlves at 01:54, 29 November 2011

2011-11-29T01:54:31Z

ValterAlves at 01:53, 29 November 2011

2011-11-29T01:53:07Z

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 ====An approach based in [[Design Patterns]] and assisted by a [[Deck|Deck of Cards]]====
 </div>-->
-====An approach based in [[Design Patterns]] and assisted by a [[Deck|Deck of Cards]]====
+====An approach based on [[Design Patterns]] and assisted by a [[Deck|Deck of Cards]]====
 {| cellpadding="0" style="padding:0px; margin-bottom:15px; border: 0px; vertical-align: top; text-align:top;"
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-| style="padding: 8px 8px; margin:0px;border: thin solid #DDD; background-color: #F9F9F9; color: black;"|An approach to Sound Design in Games based in [[Design Patterns | Design Patterns]] and assisted by a [[Deck | Deck of Cards]], strongly influenced by [[Acoustic Ecology | Acoustic Ecology]] and subject to the principle that Sound Design in Games benefits from being embedded in the overall Game Design.
+| style="padding: 8px 8px; margin:0px;border: thin solid #DDD; background-color: #F9F9F9; color: black;"|An approach to Sound Design in Games based on [[Design Patterns | Design Patterns]] and assisted by a [[Deck | Deck of Cards]], strongly influenced by [[Acoustic Ecology | Acoustic Ecology]] and subject to the principle that Sound Design in Games benefits from being embedded in the overall Game Design.
 |}
 [[Deck | Version 2.0 of the deck]] consists of 77 cards, each representing an homonymous design pattern from the collection:<br />
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 {{DumpDeckThumbnailsWithBorders}}
 </toggledisplay>
 == Empowering small game developers to perform sound design ==
 Expertise in [[sound design for games]] is mainly a privilege of senior designers. The broad community of [[independent game developers]] remains mostly challenged by small budgets and scarce know how, while trying to integrate sound in their games. The [[empowerment of a broader community]] of developers could unleash a massive creative potential, with results in the form of innovative sound design ideas and further development of the body of knowledge.

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 | style="padding: 8px 8px; margin:0px;border: thin solid #DDD; background-color: #F9F9F9; color: black;"|An approach to Sound Design in Games based in [[Design Patterns | Design Patterns]] and assisted by a [[Deck | Deck of Cards]], strongly influenced by [[Acoustic Ecology | Acoustic Ecology]] and subject to the principle that Sound Design in Games benefits from being embedded in the overall Game Design.
 |}
-Expertise in sound design for games is mainly a privilege of senior designers. The broad community of independent game developers remains mostly challenged by small budgets and scarce know how, while trying to integrate sound in their games. The empowerment of a broader community of developers could unleash a massive creative potential, with results in the form of innovative sound design ideas and further development of the body of knowledge <ref name="AlvesAM11" /><ref name="AlvesACE11" />.
+'''List'''<br>
-A pattern language <ref name="Alexander79" /> has the potential to contribute to such an emancipatory movement <ref name="AlvesAM10" /> as it has proven to be a format addressable by experts and non-experts alike. Patterns are collectively authored through the inventory, translation and re-synthesis of current practice and know-how. This methodology has been successfully adopted in other domains where similar concerns were observed <sup>e.g.</sup><ref name="Borchers" /><ref name="Erl" /><ref name="Gamma" /><ref name="Tidwell" />, including in game design <ref name="Bjork" /> and auditory displays <ref name="Frauenberger" />.
+'''Thumbnails''' <toggledisplay status=show showtext="[show...]" hidetext="[hide]"><br>
-== Patterns and Cards ==
+A [[Design Patterns|pattern language]] has the potential to contribute to such an emancipatory movement as it has proven to be a format addressable by experts and non-experts alike. Patterns are collectively authored through the inventory, translation and re-synthesis of current practice and know-how. This methodology has been successfully adopted in [[Design Patterns | other domains]] where similar concerns were observed, including in game design and auditory displays.
-We are proposing a debuting collection of patterns for sound design in games. The patterns were harvested and synthesized under the influence of a set of guidelines <ref name="AlvesCh11" />, which in turn build upon an interdisciplinary interpretation for sound design. This is also in harmony with an holistic perspective on game design which implies, for instance, that sound design in games is in fact integral to game design. Game design sensitive to sound design opportunities has several benefits: the space of possibilities is enlarged, sound becomes fitted rather then superimposed, and the game product may provide a richer experience with this integration.
-While we have been working on refining and growing the pattern collection, we found the interest in conceiving instruments that could be effective in expediting and sustaining the interfacing between the practitioners and the pattern language, beyond the customary referential support in text forms. This [[Deck|deck]] of physical cards aims at such purposes. Practitioners may appreciate a presentation of potential sound explorations in a format that is literally handy, with no need to be familiar with the formalism of design patterns.
+== Patterns and Cards ==
-== Related [[About|Research]] and [[Research|Publications]] ==
+While [[About| refining and growing the pattern collection]], we found the interest in conceiving instruments that could be effective in expediting and sustaining the interfacing between the practitioners and the pattern language, beyond the customary referential support in text forms. This [[Deck|deck]] of physical cards aims at such purposes. Practitioners may appreciate a presentation of potential sound explorations in a format that is literally handy, with no need to be familiar with the formalism of design patterns.
-== References ==
-<small><references>{{CompleteReferenceList}}</references></small>

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 =Sound Design in Games=
-[[File:Scatteredcards1350x852.png|thumb|360px|The [[Deck|deck of cards]] in version v1.0]]
+[[File:Scatteredcards1350x852.png|thumb|360px|The [[Deck|deck of cards]] (since version v1.0)]]
 <!--[[File:Deck-A.png|thumb|250px|The deck of cards (since version v1.0)]][[File:Card-anatomy-v10.png| 250px|thumb | The anatomy of card (here illustrated over the card named [[Achievement]]), (as of v1.0)]]-->
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 =Sound Design in Games=
 [[File:Scatteredcards1350x852.png|thumb|360px|The [[Deck|deck of cards]] in version v1.0]]
-<!--[[File:Deck-A.png|thumb|250px|The deck of cards in version v1.0]][[File:Card-anatomy-v10.png| 250px|thumb | The anatomy of card (here illustrated over the card named [[Achievement]]), (as of v1.0)]]-->
+<!--[[File:Deck-A.png|thumb|250px|The deck of cards (since version v1.0)]][[File:Card-anatomy-v10.png| 250px|thumb | The anatomy of card (here illustrated over the card named [[Achievement]]), (as of v1.0)]]-->
 <!--<div style="margin-top:-15px; padding-bottom:6px"> Looks bad in Internet Explorer
 ====An approach based in [[Design Patterns]] and assisted by a [[Deck|Deck of Cards]]====

@@ Line 12: / Line 12: @@
 |}
-Expertise in sound design for games is mainly a privilege of senior designers. The broad community of independent game developers remains mostly challenged by small budgets and scarce know how, while trying to integrate sound in their games. The empowerment of a broader community of developers could unleash a massive creative potential, with results in the form of innovative sound design ideas and further development of the body of knowledge <ref name="AlvesAM11" />.
+Expertise in sound design for games is mainly a privilege of senior designers. The broad community of independent game developers remains mostly challenged by small budgets and scarce know how, while trying to integrate sound in their games. The empowerment of a broader community of developers could unleash a massive creative potential, with results in the form of innovative sound design ideas and further development of the body of knowledge <ref name="AlvesAM11" /><ref name="AlvesACE11" />.
 A pattern language <ref name="Alexander79" /> has the potential to contribute to such an emancipatory movement <ref name="AlvesAM10" /> as it has proven to be a format addressable by experts and non-experts alike. Patterns are collectively authored through the inventory, translation and re-synthesis of current practice and know-how. This methodology has been successfully adopted in other domains where similar concerns were observed <sup>e.g.</sup><ref name="Borchers" /><ref name="Erl" /><ref name="Gamma" /><ref name="Tidwell" />, including in game design <ref name="Bjork" /> and auditory displays <ref name="Frauenberger" />.

@@ Line 21: / Line 21: @@
 While we have been working on refining and growing the pattern collection, we found the interest in conceiving instruments that could be effective in expediting and sustaining the interfacing between the practitioners and the pattern language, beyond the customary referential support in text forms. This [[Deck|deck]] of physical cards aims at such purposes. Practitioners may appreciate a presentation of potential sound explorations in a format that is literally handy, with no need to be familiar with the formalism of design patterns.
-== [[Research]] ==
+== [[Related research]] ==
-<!--<small><references>{{CompleteReferenceList}}</references></small>-->
+== References ==