In-game Feedback - Revision history

ValterAlves at 05:39, 27 August 2012

2012-08-27T05:39:09Z

2012-08-27T05:23:53Z

2012-07-19T14:42:14Z

2012-07-19T14:26:26Z

2012-07-19T14:21:58Z

2012-05-24T10:23:25Z

2012-05-22T20:03:59Z

2012-05-22T20:01:06Z

2012-01-02T16:02:25Z

2012-01-02T15:58:20Z

@@ Line 31: / Line 31: @@
 A complementary way to tackle complexity is to let the players evolve their sound performance through stages of [[Levelled Performance]], similarly as it is commonly done with other gameplay aspects.
 | examples=
-{{NoVideo|'''pOnd:'''The coughing is a clear indicator that the duration of the inbreathing is relevant.}}
+{{NoVideo|'''pOnd: '''The coughing is a clear indicator that the duration of the inbreathing is relevant.}}
 | ex1=<mt p="InGameFeedback" g="SingStar" altg="SingStar Vol.3" w="{{R16by9W}}" h="{{R16by9H}}"></mt>
 | ex2=<mt p="InGameFeedback" g="Guitar Hero" altg="Guitar Hero World Tour" w="{{R16by9W}}" h="{{R16by9H}}"></mt>

@@ Line 31: / Line 31: @@
 A complementary way to tackle complexity is to let the players evolve their sound performance through stages of [[Levelled Performance]], similarly as it is commonly done with other gameplay aspects.
 | examples=
 | ex1=<mt p="InGameFeedback" g="SingStar" altg="SingStar Vol.3" w="{{R16by9W}}" h="{{R16by9H}}"></mt>
 | ex2=<mt p="InGameFeedback" g="Guitar Hero" altg="Guitar Hero World Tour" w="{{R16by9W}}" h="{{R16by9H}}"></mt>
@@ Line 39: / Line 40: @@
 | ex7=<mt p="InGameFeedback" g="End War" altg="Tom Clancy's EndWar" w="{{R16by9W}}" h="{{R16by9H}}">In-game reactions to voice commands ([[Sound Input]]), including the inability to understand or execute an order.</mt>
 | ex8=<mt p="InGameFeedback" g="Papa Sangre" i=1 w="{{ViPhoneH}}" h="{{ViPhoneW}}"></mt>
-| ex9=<mt p="InGameFeedback" g="Pond" altg="pOnd" i=1 w="{{R8by5W}}" h="{{R8by5H}}">The coughing is a clear indicator that the duration of the inbreathing is relevant.</mt>
+<!--| ex9=<mt p="InGameFeedback" g="Pond" altg="pOnd" i=1 w="{{R8by5W}}" h="{{R8by5H}}"></mt>-->
 }}

@@ Line 31: / Line 31: @@
 A complementary way to tackle complexity is to let the players evolve their sound performance through stages of [[Levelled Performance]], similarly as it is commonly done with other gameplay aspects.
 | examples=
-| ex1=<mt p="InGameFeedback" g="SingStar" w="{{R16by9W}}" h="{{R16by9H}}"></mt>
+| ex1=<mt p="InGameFeedback" g="SingStar" altg="SingStar Vol.3" w="{{R16by9W}}" h="{{R16by9H}}"></mt>
 | ex2=<mt p="InGameFeedback" g="Guitar Hero" altg="Guitar Hero World Tour" w="{{R16by9W}}" h="{{R16by9H}}"></mt>
 | ex3=<mt p="InGameFeedback" g="Spore" w="{{R4by3W}}" h="{{R4by3H}}"></mt>

@@ Line 39: / Line 39: @@
 | ex7=<mt p="InGameFeedback" g="End War" altg="Tom Clancy's EndWar" w="{{R16by9W}}" h="{{R16by9H}}">In-game reactions to voice commands ([[Sound Input]]), including the inability to understand or execute an order.</mt>
 | ex8=<mt p="InGameFeedback" g="Papa Sangre" i=1 w="{{ViPhoneH}}" h="{{ViPhoneW}}"></mt>
-| ex9=<mt p="Failure" g="Pond" altg="pOnd" i=1 w="{{R8by5W}}" h="{{R8by5H}}">The coughing is a clear indicator that the duration of the inbreathing is relevant.</mt>
+| ex9=<mt p="InGameFeedback" g="Pond" altg="pOnd" i=1 w="{{R8by5W}}" h="{{R8by5H}}">The coughing is a clear indicator that the duration of the inbreathing is relevant.</mt>
 }}

@@ Line 39: / Line 39: @@
 | ex7=<mt p="InGameFeedback" g="End War" altg="Tom Clancy's EndWar" w="{{R16by9W}}" h="{{R16by9H}}">In-game reactions to voice commands ([[Sound Input]]), including the inability to understand or execute an order.</mt>
 | ex8=<mt p="InGameFeedback" g="Papa Sangre" i=1 w="{{ViPhoneH}}" h="{{ViPhoneW}}"></mt>
-| ex9=<mt p="InGameFeedback" g="Pond" altg="pOnd" i=1 w="{{R8by5W}}" h="{{R8by5H}}">The coughing is a clear indicator that the duration of the inbreathing is relevant.</mt>
+| ex9=<mt p="Failure" g="Pond" altg="pOnd" i=1 w="{{R8by5W}}" h="{{R8by5H}}">The coughing is a clear indicator that the duration of the inbreathing is relevant.</mt>
 }}

@@ Line 25: / Line 25: @@
 Gameplay demanding [[Sound Input]], as in the case of [[Pitch Gameplay]], or requiring some kind of auditory performance such as [[Rhythm Gameplay]], may introduce unfamiliar challenges to players.
-One interesting approach to deal with this is to provide in-game (diegetic) feedback and assistance. This not only presents a contextualized way to deliver [[Awareness]] to the player, regarding its actions, but can also play an important role in terms of the game’s [[Emotional Script]].
+One interesting approach to deal with this is to provide in-game (diegetic) feedback and assistance. This not only presents a contextualized way to deliver [[Awareness]] to players, regarding their actions, but can also play an important role in terms of the game’s [[Emotional Script]].
 In some examples, this feedback promotes '''positive''' emotions, which may contribute to: balancing the distress of unachievement; favouring cognition by maintaining the player in a positive mood  {{Pending|[REF]}}; and, providing an additional source of entertainment.