Foley - Revision history

ValterAlves at 23:13, 25 August 2012

2012-08-25T23:13:15Z

ValterAlves at 16:20, 19 July 2012

2012-07-19T16:20:31Z

ValterAlves at 00:43, 25 May 2012

2012-05-25T00:43:48Z

ValterAlves at 22:54, 24 May 2012

2012-05-24T22:54:42Z

ValterAlves at 22:39, 24 May 2012

2012-05-24T22:39:15Z

ValterAlves at 08:27, 24 May 2012

2012-05-24T08:27:35Z

ValterAlves at 08:11, 24 May 2012

2012-05-24T08:11:44Z

ValterAlves at 08:07, 24 May 2012

2012-05-24T08:07:44Z

ValterAlves at 00:47, 23 May 2012

2012-05-23T00:47:47Z

ValterAlves at 20:50, 22 May 2012

2012-05-22T20:50:15Z

@@ Line 40: / Line 40: @@
 | external=
-There are many great resources on [[Foley]] production, namely regarding tricks and techniques that may be used to produce specific foley sounds, including: (Ament, 2009)<ref name="Ament" />, (Viers, 2008)<ref name="Viers" />, and (Farnell, 2011, particularly part IV)<ref name="Farnell" />.
+There are many great resources on [[Foley]] production, namely regarding tricks and techniques that may be used to produce specific foley sounds, including: (Ament, 2009)<ref name="Ament" />, (Viers, 2008)<ref name="Viers" />, and (Farnell, 2011, particularly part IV)<ref name="Farnell" />. Additionally, some websites provide tutorials and interviews with precious hints on this matter [pending: collect them in a separate page and link to it].
 | examples=
 | ex1=<mt p="Foley" g="Heavy Rain" w="{{R16by9W}}" h="{{R16by9H}}"></mt>

@@ Line 46: / Line 46: @@
 | ex3=<mt p="Foley" g="Penumbra" altg="Penumbra: Overture" w="{{R4by3W}}" h="{{R4by3H}}"></mt>
 | ex4=<mt p="Foley" g="Far Cry 2" w="{{R16by9W}}" h="{{R16by9H}}"></mt>
-| ex5=<mt p="Foley" g="Chaos Theory" altg="Tom Clancy's Splinter Cell: Chaos Theory" w="{{R5by4W}}" h="{{R5by4H}}"></mt>
+| ex5=<mt p="Foley" g="Chaos Theory" altg="Tom Clancy's Splinter Cell Chaos Theory" w="{{R5by4W}}" h="{{R5by4H}}"></mt>
 | ex6=<mt p="Foley" g="HalfLife2" altg="Half-Life 2" w="{{R8by5W}}" h="{{R8by5H}}">The interaction with objects is accompanied by the respective [[Foley]].</mt>
 | ex7=<mt p="Foley" g="Portal" w="{{R8by5W}}" h="{{R8by5H}}"></mt>

@@ Line 34: / Line 34: @@
 | description=
 | description=
-[[Foley]] constitutes one of the [[Sound Layers]] of an [[Acoustic Ecology]], along with [[Ambiance]], [[Sound Effects]], [[Music]], and [[Dialogue]]<ref name="Peck2001" /><ref name="Peck2007" />. We are adopting one definition that allows to differentiate [[Foley]] from [[Sound Effects]], which constitute a common discussion. [[Foley]] consists of the set sounds that characterize an entity or event (e.g., a door closing, [[Footsteps]], gun fire, etc.), whilst [[Sound Effects]] are sounds that are "invented" so that they may be associated to entities or aspects whose own sonic expression does not exist or is not perceptible (e.g., the sound of a laser sword). Still, it is worth mentioning that many authors/designers use both terms interchangeably.
+[[Foley]] constitutes one of the [[Sound Layers]] of an [[Acoustic Ecology]], along with [[Ambiance]], [[Sound Effects]], [[Music]], and [[Dialogue]]<ref name="Peck2001" /><ref name="Peck2007" />. We are adopting one definition that allows differentiating [[Foley]] from [[Sound Effects]], which constitute a common discussion. [[Foley]] consists of the set sounds that characterize an entity or event (e.g., a door closing, [[Footsteps]], gun fire, etc.), whilst [[Sound Effects]] are sounds that are "invented" so that they may be associated to entities or aspects whose own sonic expression does not exist or is not perceptible (e.g., the sound of a laser sword). Still, it is worth mentioning that many authors/designers use both terms interchangeably.
 | additional=
 The production of the sounds of Foley is frequently achieved by recording the interaction with objects that are unrelated to the envisaged sources. Sometimes this is justified by the difficulty in recording the actual source, other times it is a matter of achieving better results in perception, considering several aspects including the transformations inherent to the recording equipment itself.

@@ Line 34: / Line 34: @@
 | description=
 | description=
-[[Foley]] constitutes one of the [[Sound Layers]] of an [[Acoustic Ecology]], along with [[Ambiance]], [[Sound Effects]], [[Music]], and [[Dialogue]]<ref name="Peck2001" /><ref name="Peck2007" />. We are adopting one definition that allows to differentiate [[Foley]] from [[Sound Effects]], which constitute a common discussion. [[Foley]] consists of the set sounds that characterize an entity or event (e.g., a door closing, [[Footsteps]], gun fire, etc.), whilst [[Sound Effects]] are sounds that are "invented" so that they may be associated to entities or aspects whose own sonic expression does not exist or is not perceptible (e.g. the sound of a laser sword). Still, it is worth mentioning that many authors/designers use both terms interchangeably.
+[[Foley]] constitutes one of the [[Sound Layers]] of an [[Acoustic Ecology]], along with [[Ambiance]], [[Sound Effects]], [[Music]], and [[Dialogue]]<ref name="Peck2001" /><ref name="Peck2007" />. We are adopting one definition that allows to differentiate [[Foley]] from [[Sound Effects]], which constitute a common discussion. [[Foley]] consists of the set sounds that characterize an entity or event (e.g., a door closing, [[Footsteps]], gun fire, etc.), whilst [[Sound Effects]] are sounds that are "invented" so that they may be associated to entities or aspects whose own sonic expression does not exist or is not perceptible (e.g., the sound of a laser sword). Still, it is worth mentioning that many authors/designers use both terms interchangeably.
 | additional=
 The production of the sounds of Foley is frequently achieved by recording the interaction with objects that are unrelated to the envisaged sources. Sometimes this is justified by the difficulty in recording the actual source, other times it is a matter of achieving better results in perception, considering several aspects including the transformations inherent to the recording equipment itself.

@@ Line 40: / Line 40: @@
 | external=
-There are many great resources on [[Foley]] production, namely regarding tricks and techniques that may be used to produce specific foley sounds, including: (Ament, 2009)<ref name="Ament" />, (Viers, 2008)<ref name="Viers" />, and (Farnel, 2011, particularly part IV)<ref name="Farnell" />.
+There are many great resources on [[Foley]] production, namely regarding tricks and techniques that may be used to produce specific foley sounds, including: (Ament, 2009)<ref name="Ament" />, (Viers, 2008)<ref name="Viers" />, and (Farnell, 2011, particularly part IV)<ref name="Farnell" />.
 | examples=
 | ex1=<mt p="Foley" g="Heavy Rain" w="{{R16by9W}}" h="{{R16by9H}}"></mt>