Emotional Script - Revision history

ValterAlves at 18:27, 24 August 2012

2012-08-24T18:27:16Z

ValterAlves at 02:57, 25 May 2012

2012-05-25T02:57:45Z

ValterAlves at 01:59, 25 May 2012

2012-05-25T01:59:22Z

ValterAlves at 23:24, 24 May 2012

2012-05-24T23:24:45Z

ValterAlves at 22:36, 24 May 2012

2012-05-24T22:36:08Z

ValterAlves at 05:56, 24 May 2012

2012-05-24T05:56:26Z

ValterAlves at 05:50, 24 May 2012

2012-05-24T05:50:35Z

ValterAlves at 05:44, 24 May 2012

2012-05-24T05:44:42Z

ValterAlves at 05:40, 24 May 2012

2012-05-24T05:40:44Z

ValterAlves at 21:20, 22 May 2012

2012-05-22T21:20:39Z

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 A game "experience" is built upon the memory of the emotions the player visits. In order to optimize the emotional relevance of every moment the player is interacting with the game product, an [[Emotional Script]] ought to be thoughtfully designed.
-Sound holds great potential in the design of the [[Emotional Script]]. Sound can be used to portrait a certain emotional state with advantages over the visual clues (e.g., a character who laughs, or cries, or groans to indicate discomfort or fear, or verbally details a feeling). In addition to momentary emotional characterisations, sound can also be used to communicate the overall emotional development along time (e.g., through the migration between distinctive acoustic moods, or through the progressive addition or subtraction of elements to the composition).
+Sound holds great potential in the design of the [[Emotional Script]]. Sound can be used to portrait a certain emotional state with advantages over the visual clues (e.g., a character who laughs, or cries, or groans to indicate discomfort or fear, or verbally details a feeling). In addition to momentary emotional characterisations, sound can also be used to communicate the overall emotional development along time (e.g., through the migration between distinct acoustic moods, or through the progressive addition or subtraction of elements to the composition).
 In addition to the comprehensive exploration of the emotional plane that this pattern suggests, the [[Deck]] contains other design patterns that, depending on the specific explorations, may also contribute to some of the pieces in that [[Emotional Script]]. Elicited emotions may include:  satisfaction (e.g., [[Achievement]]), disappointment (e.g., [[Failure]], [[Death]]), excitement (e.g., [[Engagement]]), amazement (e.g., [[Revelation]]), elation (e.g., [[Title Screens]]), tension (e.g., [[Anticipation]], [[Engagement]], [[Imminent Death]], [[Hurry Up!]], [[Window of Opportunity]], [[Silence]]), serenity (e.g., [[Relaxation]], [[Trance]]), anxiety (e.g., [[Silence]], [[Noise]]), fear (e.g., [[Breath]], [[Heartbeat]]), empathy (e.g., [[Ouch!]], [[Grunts]], [[Thoughts]]), relieve (e.g., [[Decay]]), interest (e.g., [[Awareness]]), affection (e.g., [[Make Sound not War]]), etc. <br />

@@ Line 41: / Line 41: @@
 | ex3=<mt p="EmotionalScript" g="Ice Age 3" w="{{ViPhoneH}}" h="{{ViPhoneW}}"></mt>
 | ex4=<mt p="EmotionalScript" g="Papa Sangre" w="{{ViPhoneH}}" h="{{ViPhoneW}}"></mt>
-| ex5=<mt p="EmotionalScript" g="LocoRoco" w="{{R16by9W}}" h="{{R16by9H}}">In the example, a moment of relative affliction emphasized by the utterances of the characters involved. In general, sound design in this game is highly emotive, for each contribute aspects such as the [[Music]], all [[Character Soundprint|Character's Soundprint]], the way sound participates in the gameplay, the overall [[Aesthetics]] and [[Variety]] coherency in the [[Acoustic Ecology]].</mt>
+| ex5=<mt p="EmotionalScript" g="LocoRoco" w="{{R16by9W}}" h="{{R16by9H}}">In the example, a moment of relative affliction is emphasized by the utterances of the characters involved. In general, sound design in this game is highly emotive, for which contribute aspects such as the [[Music]], all [[Character Soundprint|Character’s Soundprint]], the way sound participates in the gameplay, the overall [[Aesthetics]], and [[Variety]] in the [[Acoustic Ecology]].</mt>
 | ex6=<mt p="EmotionalScript" g="Ico" w="{{RPS2W}}" h="{{RIcoH}}">Yorda's scream when the player is hoping to manage to overrun the approaching opponents has the potential to convey a deep emotional impact (and meaning) to the contrariety.</mt>
 | ex7=<mt p="EmotionalScript" g="Aquaria" w="{{R4by3W}}" h="{{R4by3H}}"></mt>

@@ Line 42: / Line 42: @@
 | ex4=<mt p="EmotionalScript" g="Papa Sangre" w="{{ViPhoneH}}" h="{{ViPhoneW}}"></mt>
 | ex5=<mt p="EmotionalScript" g="LocoRoco" w="{{R16by9W}}" h="{{R16by9H}}">In the example, a moment of relative affliction emphasized by the utterances of the characters involved. In general, sound design in this game is highly emotive, for each contribute aspects such as the [[Music]], all [[Character Soundprint|Character's Soundprint]], the way sound participates in the gameplay, the overall [[Aesthetics]] and [[Variety]] coherency in the [[Acoustic Ecology]].</mt>
-| ex6=<mt p="EmotionalScript" g="Ico" w="{{RPS2W}}" h="{{RIcoH}}">Yorda's scream when the player is hoping to manage to overrun the approaching opponents has the potential to convey a deeper emotional impact (and meaning) to the contrariety.</mt>
+| ex6=<mt p="EmotionalScript" g="Ico" w="{{RPS2W}}" h="{{RIcoH}}">Yorda's scream when the player is hoping to manage to overrun the approaching opponents has the potential to convey a deep emotional impact (and meaning) to the contrariety.</mt>
 | ex7=<mt p="EmotionalScript" g="Aquaria" w="{{R4by3W}}" h="{{R4by3H}}"></mt>
 | ex8=<mt p="EmotionalScript" g="Devils Tuning Fork" altg="Devil's Tuning Fork" w="{{R4by3W}}" h="{{R4by3H}}"></mt>

@@ Line 29: / Line 29: @@
 Sound holds great potential in the design of the [[Emotional Script]]. Sound can be used to portrait a certain emotional state with advantages over the visual clues (e.g., a character who laughs, or cries, or groans to indicate discomfort or fear, or verbally details a feeling). In addition to momentary emotional characterisations, sound can also be used to communicate the overall emotional development along time (e.g., through the migration between distinctive acoustic moods, or through the progressive addition or subtraction of elements to the composition).
-In addition to the comprehensive exploration of the emotional plane that this pattern suggests, the [[Deck]] contains other design patterns which, depending on the specific explorations, may also contribute to some of the pieces in that [[Emotional Script]]. Elicited emotions may include:  satisfaction (e.g., [[Achievement]]), disappointment (e.g., [[Failure]], [[Death]]), excitement (e.g., [[Engagement]]), amazement (e.g., [[Revelation]]), elation (e.g., [[Title Screens]]), tension (e.g., [[Anticipation]], [[Engagement]], [[Imminent Death]], [[Hurry Up!]], [[Window of Opportunity]], [[Silence]]), serenity (e.g., [[Relaxation]], [[Trance]]), anxiety (e.g., [[Silence]], [[Noise]]), fear (e.g., [[Breath]], [[Heartbeat]]), empathy (e.g., [[Ouch!]], [[Grunts]], [[Thoughts]]), relieve (e.g., [[Decay]]), interest (e.g., [[Awareness]]), affection (e.g., [[Make Sound not War]]), etc. <br />
+In addition to the comprehensive exploration of the emotional plane that this pattern suggests, the [[Deck]] contains other design patterns that, depending on the specific explorations, may also contribute to some of the pieces in that [[Emotional Script]]. Elicited emotions may include:  satisfaction (e.g., [[Achievement]]), disappointment (e.g., [[Failure]], [[Death]]), excitement (e.g., [[Engagement]]), amazement (e.g., [[Revelation]]), elation (e.g., [[Title Screens]]), tension (e.g., [[Anticipation]], [[Engagement]], [[Imminent Death]], [[Hurry Up!]], [[Window of Opportunity]], [[Silence]]), serenity (e.g., [[Relaxation]], [[Trance]]), anxiety (e.g., [[Silence]], [[Noise]]), fear (e.g., [[Breath]], [[Heartbeat]]), empathy (e.g., [[Ouch!]], [[Grunts]], [[Thoughts]]), relieve (e.g., [[Decay]]), interest (e.g., [[Awareness]]), affection (e.g., [[Make Sound not War]]), etc. <br />
 {{Pending| classification inspired in EARL [REF: http://emotion-research.net/projects/humaine/earl]}}
 | external=

@@ Line 27: / Line 27: @@
 A game "experience" is built upon the memory of the emotions the player visits. In order to optimize the emotional relevance of every moment the player is interacting with the game product, an [[Emotional Script]] ought to be thoughtfully designed.
-Sound holds great potential in the design of the [[Emotional Script]]. Sound can be used to portrait a certain emotional state with advantages over the visual clues (e.g. a character who laughs, or cries, or groans to indicate discomfort or fear, or verbally details a feeling). In addition to momentary emotional characterisations, sound can also be used to communicate the overall emotional development along time (e.g through the migration between distinctive acoustic moods, or through the progressive addition or subtraction of elements to the composition).
+Sound holds great potential in the design of the [[Emotional Script]]. Sound can be used to portrait a certain emotional state with advantages over the visual clues (e.g., a character who laughs, or cries, or groans to indicate discomfort or fear, or verbally details a feeling). In addition to momentary emotional characterisations, sound can also be used to communicate the overall emotional development along time (e.g., through the migration between distinctive acoustic moods, or through the progressive addition or subtraction of elements to the composition).
-In addition to the comprehensive exploration of the emotional plane that this pattern suggests, the [[Deck]] contains other design patterns which, depending on the specific explorations, may also contribute to some of the pieces in that [[Emotional Script]]. Elicited emotions may include:  satisfaction (e.g. [[Achievement]]), disappointment (e.g. [[Failure]], [[Death]]), excitement (e.g. [[Engagement]]), amazement (e.g. [[Revelation]]), elation (e.g. [[Title Screens]]), tension (e.g. [[Anticipation]], [[Engagement]], [[Imminent Death]], [[Hurry Up!]], [[Window of Opportunity]], [[Silence]]), serenity (e.g. [[Relaxation]], [[Trance]]), anxiety (e.g. [[Silence]], [[Noise]]), fear (e.g. [[Breath]], [[Heartbeat]]), emphaty (e.g. [[Ouch!]], [[Grunts]], [[Thoughts]]), relieve (e.g. [[Decay]]), interest (e.g. [[Awareness]]), affection (e.g. [[Make Sound not War]]), etc. <br />
+In addition to the comprehensive exploration of the emotional plane that this pattern suggests, the [[Deck]] contains other design patterns which, depending on the specific explorations, may also contribute to some of the pieces in that [[Emotional Script]]. Elicited emotions may include:  satisfaction (e.g., [[Achievement]]), disappointment (e.g., [[Failure]], [[Death]]), excitement (e.g., [[Engagement]]), amazement (e.g., [[Revelation]]), elation (e.g., [[Title Screens]]), tension (e.g., [[Anticipation]], [[Engagement]], [[Imminent Death]], [[Hurry Up!]], [[Window of Opportunity]], [[Silence]]), serenity (e.g., [[Relaxation]], [[Trance]]), anxiety (e.g., [[Silence]], [[Noise]]), fear (e.g., [[Breath]], [[Heartbeat]]), empathy (e.g., [[Ouch!]], [[Grunts]], [[Thoughts]]), relieve (e.g., [[Decay]]), interest (e.g., [[Awareness]]), affection (e.g., [[Make Sound not War]]), etc. <br />
 {{Pending| classification inspired in EARL [REF: http://emotion-research.net/projects/humaine/earl]}}
 | external=

@@ Line 34: / Line 34: @@
 Contribution of [[Music]] to the [[Emotional Script]]<ref name="Juslin" />.<br />
 Creating emotions in games<ref name="Freeman" />.<br />
-{{Pending|References to the importance of emotions in human performance.}} <br>
+{{Pending| References on the importance of emotions in human performance.}} <br>
-{{Pending|References to lists and systems of classification of emotions.}}
+{{Pending| References on lists and systems of classification of emotions.}}
 | examples=
 | ex1=<mt p="EmotionalScript" g="Flower" w="{{R16by9W}}" h="{{R16by9H}}">The game propitiates a journey from the sadness of a polluted and lifeless environment to the pleasure and contentment of recovering it. This happens both at the macro level (observable for instance in the evolution of the [[Acoustic Ecology]] that accompanies the [[Menus|Menu]]) and inside each particular level where each small contribution represents and advancement in an acoustic composition, occasionally further animated by some bursts (both acoustic and visual).</mt>