Directionality - Revision history

ValterAlves at 19:03, 24 August 2012

2012-08-24T19:03:44Z

2012-08-24T18:55:06Z

2012-08-24T15:23:20Z

2012-08-24T15:22:47Z

2012-07-19T15:00:40Z

2012-05-23T23:53:07Z

2012-05-23T23:51:23Z

2012-01-14T00:50:22Z

2012-01-14T00:45:55Z

2012-01-08T02:45:59Z

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 | description =
 [[Directionality]] refers to the explorations of sound design that intentionally take advantage of that or even tweak it
 in some way, to achieve an effect, for instance in terms of the gameplay.
 [[Beacon Locator]] is one kind of exploration that may resort to [[Directionality]].
 [[Directionality]] may be even explored as part of the game [[Aesthetics]], for instance in [[Ambiance]]. A wandering fly
 and passing helicopters are fairly common examples.
 Modern 3D game engines implement directionality to some extent.
 | examples =

@@ Line 11: / Line 11: @@
 | v20rel2=[[Beacon Locator]], [[Shout and Yell]], [[Unaware NPC]], [[Suspicious NPC]]<br>
 | description =
-[[Directionality]] refers to the explorations of sound design that intentionally take advantage of that or even tweak it in some way, to achieve an effect, for instance in terms of the gameplay.
+[[Directionality]] refers to the explorations of sound design that intentionally take advantage of that or even tweak it
 in some way, to achieve an effect, for instance in terms of the gameplay.
 [[Beacon Locator]] is one kind of exploration that may resort to [[Directionality]].
 [[Directionality]] may be even explored as part of the game [[Aesthetics]], for instance in [[Ambiance]]. A wandering fly
-[[Directionality]] may be even explored as part of the game [[Aesthetics]], for instance in [[Ambiance]]. A wandering fly and passing helicopters are fairly common examples.
+and passing helicopters are fairly common examples.
+Modern 3D game engines implement directionality to some extent.
-{{Pending| Most}} modern 3D game engines implement directionality to some extent.
-−
 | examples =
 | ex1=<mt p="Directionality" g="Papa Sangre" w="{{ViPhoneH}}" h="{{ViPhoneW}}">Practicing the skill of facing a particular direction (only through sound), which is crucial for the gameplay.</mt>

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 | external=
 In an interview <ref name="isaza-rdr" />, the Audio Director of Red Dead Redemption refers that they "additionally focused on ensuring directionality of enemy gunfire".<br />
-Theoretical background on localisation through sound.<ref name="Farnell" /> <sup>(p. 79)</sup>.
+Theoretical background on localisation through sound.<ref name="Farnell" /> <sup>(p. 79)</sup>.<br />
 <ref name="Stockburger2006" />
 | showrefs = 1

@@ Line 29: / Line 29: @@
 In an interview <ref name="isaza-rdr" />, the Audio Director of Red Dead Redemption refers that they "additionally focused on ensuring directionality of enemy gunfire".<br />
 Theoretical background on localisation through sound.<ref name="Farnell" /> <sup>(p. 79)</sup>.
 | showrefs = 1
 | revisions =
 Suggested after version 1.0
 }}

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 | ex3=<mt p="Directionality" g="Far Cry 2" w="{{R16by9W}}" h="{{R16by9H}}">Here the player promptly finds an unexpected NPC through the [[Directionality]] of his inquiring utterances (while [[Suspicious NPC]]).</mt>
 | ex4=<mt prompt="Killzone 2 [SPOILER VIDEO]" p="Directionality" g="Killzone 2" w="{{R16by9W}}" h="{{R16by9H}}">While fighting {{Spoiler| the final boss, being able to locate him through his soundprint is instrumental to succeed}}.</mt>
-| ex5=<mt p="Directionality" g="Halo" w="{{R16by9W}}" h="{{R16by9H}}">A case in which the NPC's utterances reveal the direction of its position.</mt>
+| ex5=<mt p="Directionality" g="Halo" altg="Halo: Reach" w="{{R16by9W}}" h="{{R16by9H}}">A case in which the NPC's utterances reveal the direction of its position.</mt>
 <!--| ex6=<mt p="Directionality" g="MGS4" altg="Metal Gear Solid 4" w="{{R16by9W}}" h="{{R16by9H}}">Being able to locate the moving bosses through their soundprint is instrumental to defeat major bosses in Metal Gear Solid 4 (BB Corps and Vamp, namelly) [pending: double check this one].</mt>-->
 | external=

@@ Line 23: / Line 23: @@
 | ex2=<mt p="Directionality" g="Red Dead Redemption" w="{{R16by9W}}" h="{{R16by9H}}">Following the sound to find a point of interest, in the absence of visual clues. (Also, see [[#External Resources|External Resources]]).</mt>
 | ex3=<mt p="Directionality" g="Far Cry 2" w="{{R16by9W}}" h="{{R16by9H}}">Here the player promptly finds an unexpected NPC through the [[Directionality]] of his inquiring utterances (while [[Suspicious NPC]]).</mt>
-| ex4=<mt prompt="Killzone 2 [SPOILER VIDEO]" p="Directionality" g="Killzone 2" w="{{R16by9W}}" h="{{R16by9H}}">While fighting the final boss {{Spoiler| being able to locate him through his soundprint is instrumental to succeed}}.</mt>
+| ex4=<mt prompt="Killzone 2 [SPOILER VIDEO]" p="Directionality" g="Killzone 2" w="{{R16by9W}}" h="{{R16by9H}}">While fighting {{Spoiler|the final boss being able to locate him through his soundprint is instrumental to succeed}}.</mt>
 | ex5=<mt p="Directionality" g="Halo" w="{{R16by9W}}" h="{{R16by9H}}">A case in which the NPC's utterances reveal the direction of its position.</mt>
 <!--| ex6=<mt p="Directionality" g="MGS4" altg="Metal Gear Solid 4" w="{{R16by9W}}" h="{{R16by9H}}">Being able to locate the moving bosses through their soundprint is instrumental to defeat major bosses in Metal Gear Solid 4 (BB Corps and Vamp, namelly) [pending: double check this one].</mt>-->